Grades 5 & Up

Gr 5–8—Retirement mecca St. Petersburg provides the perfect backdrop for Abbot's mystery. Jason, 13, flies down to Florida to help his dad settle his grandmother's estate. Worried about his parents' marriage and disgusted with the heat and totally bored, he is intrigued when he finds an old postcard of his grandmother's. A hotel on it is the same one that appears in a mystery in an old magazine that he also finds in her house. The stories star someone called Marnie, a name that the funeral director calls Jason's grandmother, Agnes. Jason suspects that it wasn't a slip of the tongue after all, and that the tales really feature his grandmother. A mysterious phone call leads the teen and his new friend Dia to follow a trail of vintage postcards through local landmarks. Abbott's gift for creating complicated, realistic young characters is evident in Jason, but he is joined by stock characters from the pages of an old gumshoe mystery. The contrast between Jason's real adolescent angst and the clichéd mystery woven throughout makes each element seem richer. The surprise ending to the mystery and the not-so-surprising ending to Jason's real-life drama are quite satisfying. While less-sophisticated readers might be confused by the scene switches caused by the story-within-a-story format, many will enjoy this novel.—Nicki Clausen-Grace, Carillon Elementary School, Oviedo, FL

Gr 8 Up—Six top teen authors have contributed stories to this winning collection. Abrahams has written a modern ghost story, Libba Bray tells of a wild night partying with friends that changes a girl's relationship with her estranged father, and David Levithan gives readers a magical take on life in the city. Patricia McCormick takes a hard look at freedom and power, Sarah Weeks writes of responsibility with humor, and Yang tops off the book in his own graphic-novel style. Each story shines in its own way, giving teens a whole new appreciation for the short-story format. The selections as a whole become much more than they would be separately, exploring the darkest edges of night and the glory of emerging changed into the light of the new day. The authors' names alone will get teens to pick up this book, but it is the writing that will impress them the most.—Tasha Saecker, Menasha Public Library, WI

Gr 5–8—Caroline's mom is Jewish and her dad is Christian. Like many interfaith kids, she knows little about either heritage and practices no religion. When her Nana dies and leaves her a Star of David necklace, Caroline begins to question her identity. Her friend Rachel is preparing for her Bat Mitzvah ceremony, and this, combined with Nana's legacy, spurs Caroline toward embracing Judaism. Both at home and at school, she struggles with such issues as acceptance of Jews by the wider society, what it means to "look Jewish" or to be "too Jewish," and what it means to be authentically Jewish. These themes are seamlessly woven with threads about school, boys, and popularity, and with the theme of bereavement. The story is told by Caroline in a series of short, delicately rendered scenes. Her voice is natural and draws readers in effortlessly. Those who are more observant may be disappointed that Caroline does not travel further in her journey, but she does make the critical first step of seeing herself as Jewish. Jewish and interfaith readers will find much to relate to and recognize here, while others will gain an inside perspective on the feeling of belonging to a minority group.—Heidi Estrin, Feldman Children's Library at Congregation B'nai Israel, Boca Raton, FL

Gr 6–9—Hildy Biddle, high school reporter for The Core, has her hands full following the story of a ghost haunting the old Ludlow place. Life in her sleepy apple-valley town is upset like the proverbial apple cart when a dead body turns up in the Ludlow orchard and enigmatic warnings are scrawled on the door—"YOU DIDN'T THINK IT WAS SAFE, DID YOU?" Rumors fly and fear mounts as Pen Piedmont, editor of the town newspaper, The Bee, prints ever more sensational stories about the eerie goings-on. Hildy, her fellow intrepid high school reporters, and their seasoned newshound adviser are determined to uncover the truth. When they ask the right questions of the wrong people, the principal caves in to threats of litigation from Piedmont and shuts The Core down. Unlikely help comes from café owner and Polish immigrant Minska, whose experience with an underground press inspires them to start an independent news sheet, The Peel, and reveal the true villain. Peeled is vintage Bauer, a warm and funny story full of likable, offbeat characters led by a strongly voiced, independently minded female protagonist on her way to genuine, well-earned maturity. Bauer seasons Hildy's story with the high school homecoming dance, a budding romance, strong friend and family ties, and a host of quirky characters, then serves it up in quick-paced prose juicy with apple metaphors. A-peeling all around!—Joyce Adams Burner, Hillcrest Library, Prairie Village, KS

Gr 9 Up—Indigo Skye, an average high school senior, works part-time as a waitress at a small diner, where she gets to know and love a group of quirky "Irregulars" who frequent the place. She leads a happy but ordinary life until the day a customer, in return for a small kindness, leaves her a $2.5 million tip. This story follows Indigo's struggle to remain true to herself and to fight all the negative side effects of instant wealth. Right from the beginning, Caletti is able to distinguish her extensive cast of characters by relating their memorable and endearing eccentricities. Indigo, especially, is a multilayered and complicated protagonist. Although the premise seems a bit far-fetched, the characters' actions and dialogue keep this story real. Humor is sprinkled in with the more serious, philosophical questions and Indigo's emotions are expertly conveyed. While the theme of money as a potential corrupter is effective, it is stated outright too frequently instead of allowing readers to draw their own conclusions. Filled with rich characters and hilarious interactions mixed with Indigo's astute perceptions of conformity and frivolous wealth, this book encourages thought and examination of what is truly important in life.—Jessie Spalding, Queen Creek Branch Library, AZ

Gr 5–8—Elvira is a feisty, stubborn 13-year-old living in New Hope, NC. She has a younger sister, Kerrie, who drives her crazy. Elvira and her mother, Mel, often bicker like two schoolgirls, and her father, Tony, is an Elvis impersonator. When Mel discovers she is pregnant, she and Tony fight about an important Elvis contest in Las Vegas, and he leaves with his blue suede shoes, tight white jeans, and Brylcreem. Mel receives a phone message from her estranged sister, Clare, which prompts her to pack up the 1957 DeSoto Fireflite (with license plate reading "ELVIS LVS") and take the girls on a road trip "home" to Memphis. The journey, of course, results in Elvira meeting family she never knew. She gains a new appreciation for her mother, discovers traits that she and her grandmother share, and finds the home she has been craving. Tony also comes to Memphis with the realization that his family is more important than an Elvis competition. Strong character development, snappy dialogue, and humorous situations carry this novel. While the central plot is ultimately predictable and not particularly fresh, readers will enjoy Elvira's voice and the humor, and just might want to find out more about Elvis Presley.—Jennifer Ralston, Harford County Public Library, Belcamp, MD

Gr 4–6—Donavan, introduced in Donavan's Word Jar (HarperCollins, 1994), ponders problems and develops workable solutions with the help of supportive friends and family. Now in fourth grade, he and friends Pooh and Eric are eagerly anticipating Heritage Month. The boys vie to become "greeters," but the administration insists on fifth graders for that coveted role. Donavan attacks his "math block" with help from his dad, his younger sister, and his uncle. The other main story line revolves around Uncle Vic, who recently lost his legs in a war. Donavan expresses painfully human feelings about his relative, including being uncomfortable around him. He neglects to communicate messages back and forth from the office to his family about getting his uncle involved in Heritage Month, and eventually gets caught and chastised. The conclusion finds the math strategies working and Uncle Vic finding his way in his new life. Though the story is slightly didactic, students will feel the love of the boy's African-American family and empathize with his academic struggles. Bates's pencil sketches reflect the emotion and warmth of this story.—Debbie Whitbeck, West Ottawa Public Schools, Holland, MI

Gr 8 Up—For the last five years, Allison, 17, has struggled to forget the town of Meridian where she lived with her family in a torturous and apocalyptic cult. But after receiving a mysterious email message about the death of Harold, another of the five children who survived the fire that ended the Divine Path, Allison sneaks out of her foster home to attend his funeral. The cult leader's last prophecy warned the children of their own deaths in five years' time. Allison's epileptic seizures, accompanied by visions of her friends' deaths, seem to confirm his prophecies. One by one, three of the five are murdered, leaving Allison and her love interest, David, to solve the mystery and end the killing. Fahy creates a page-turning horror story that will attract fans of mystery and suspense. However, the characters' reactions to their terrifying circumstances are too trite and illogical to be believed. The ending is neat and tidy, but will not pass the scrutiny of more sophisticated readers. Recommend to teens looking for a quick, gruesome read.—Lynn Rashid, Marriots Ridge High School, Marriotsville, MD

Gr 5–7—Mark Aldrich is a New Jersey seventh grader who starts investigating paranormal phenomena after a mysterious ball of light appears in a photo he took at a historical monument. He begins looking into stories of ghosts, aliens, and monsters—plus all of the bizarre things people do—and decides to found a Weird Club at his school. He talks to his grandfather, who lives next to the Pine Barrens, about the Jersey Devil, and they search for signs of the creature. Meanwhile, other kids begin to join the club and share stories of their own; a boy who used to live in San Antonio, for example, tells tall tales from Texas. The Weird Club uses a fictional frame to enclose a collection of actual urban legends and regional folklore, with a lot of full-color photos of things such as a (real) street sign for "Shades of Death Road" in Warren County, NJ. In both intent and execution, the book is similar to Michael Teitelbaum's The Scary States of America (Delacorte, 2007), but Fairbanks focuses mainly on the Weird in his home state.—Walter Minkel, New York Public Library

Gr 7–10—After Brandon asks 17-year-old Kate, the Future Business Leaders of America copresident, to be his date at the sports banquet, she enjoys popularity and notoriety. Surprised that she could land the school's most eligible bachelor, and certain that she has some kind of trade secret for scoring dates, her classmates begin asking her for advice. Sensing a business opportunity, Kate and her friend Jason launch a matchmaking service based on what Kate terms a "Six Point Plan: A Hexagon for Hooking Hotties." Ferraro's novel is a romance in the style of the offerings from Smoochya and "Simon Romantic Comedies." Secondary plots involve Kate's dream of becoming a millionaire by age 20, her relationship with her estranged mother, and her concern for the girl she babysits, who has problems with her own family. While these add variety to the story, the emphasis is on the dating business, and Kate's growing feelings for Jason. The first-person narrative moves quickly though superficially; the secondary plots are never explored in any great depth, making the conclusion—in which all of these narrative strands are resolved—feel a bit too pat. Still, romance novels are inherently fantasies of a sort and, as such, Ferraro's book is satisfying.—Amy S. Pattee, Simmons College, Boston

Gr 9 Up—In 1941, Ruby Jacinski, 15, quits school and works at a meatpacking plant to support her ailing mother and her sister. Her life changes dramatically when Paulie, a handsome young man with a terrible reputation, takes an interest in her and encourages her to pursue a job at the Starlight Dance Academy. There, she can earn a lot of money, get her family out of debt, and live a more exciting life by dancing with lonely men. For someone who loves to dance, the job is a dream come true, but Ruby soon learns that it comes with a price. She lies to her mother and tries to avoid the constant hustle and manipulation from both the customers and her coworkers. As she continues to turn to Paulie for protection and advice, she gets caught up in the seedier side of Chicago's poor Back of the Yards district. This is a unique look at U.S. social history. Ruby is tough, strong, and determined, but maintains the innocent and idealistic dreams of adolescence, thus endearing her to readers. The grittier side of Chicago nightlife and the harsh pressures on wartime youth to mature quickly are well delineated. This intriguing story is well paced and well researched.—Kimberly Monaghan, formerly at Vernon Area Public Library, IL

Gr 6–10—Lysander is a slave in Sparta. His one valuable possession is a mysterious amulet, called the Fire of Ares, handed down from his dead father whose true identity he never knew. After it is stolen by warriors, one of the most powerful men in Sparta comes to Lysander's aid, and the man realizes that the amulet belonged to his son, a Spartan warrior, and suspects that the boy is his grandson. Once confirmed, he puts an end to the boy's backbreaking fieldwork and enrolls him in Spartan warrior training. Lysander's dying mother, a slave who did not reveal her son's paternity to keep him safe from those who hate mythokes, or "half-breeds," begins to receive care. Lysander meets with prejudice and anger from his fellow students, one of whom he is sure stole the amulet. He must continually prove himself until at last he prevails at the annual games, beating his tormentors. Ford's engaging work weaves information about ancient Greek customs into the story of an underdog who triumphs. The characters are stereotypes, but recognizable ones with whom readers will feel comfortable. The author doesn't sugarcoat the abusive treatment of slaves by Spartans or of the young warriors by their teachers, and mythology and fact intermingle well in the characters' names. Give this to fans of the movies Gladiator and 300.—Lisa Prolman, Greenfield Public Library, MA

Gr 9 Up—Norse legend is revisited in this tale of Dark elves, called Niflghar, who kidnap humans to use as slaves in their underground world. When one of the cities of Ever-Ice, Ouvahlor, attacks one of the cities of Olone, Talonnorn, chaos itself is unleashed. In Talonnorn, ruled by all-powerful crones and priestesses, the old order is overthrown and a bloodbath begins. Out of this instability rises the hope of the Dark Warrior, a human slave named Orivon, who will bring freedom and equality to all, including his captor and tormentor, Taerune Evendoom, who was once of the ruling class but was cast out after being injured in battle. In a world of darkness, magic, and ravening beasts, readers will be drawn to Orivon, who is trying to find his way back home to the BlindingBright, and to Taerune, who loves him despite their differences.—June H. Keuhn, Corning East High School, NY

Gr 9 Up—Since his father came out and his mother took off, Ben Campbell has been in trouble, smoking pot, getting arrested—the usual array of angry bad-boy behavior. In an effort to put him on the right path, his dad and his dad's partner, Edward, decide to move the family from Spokane to Edward's hometown in Montana. Rough Butte, population 463, is full of farmers, ranchers, and Miss Mae, Edward's tough country mama. Ben is out of his element in the extreme, and has a hard time adjusting until he meets Kimberly Johan, a neighbor who steals his heart and makes him want to be a part of Big Sky country. Although the novel wraps up a little too neatly, it is filled with atypical character interactions that make it an excellent read. Ben's anger at his father for destroying their original family and failing to be a "regular" dad is potent and raw, as is his language. His father's fear that Ben is becoming homophobic turns to paranoia and mistrust, and the two nearly part ways permanently. Ben also struggles with the differences between what he sees as child abuse and what most of the Montanans consider simple discipline as he befriends his young neighbor, who is in desperate need of someone's help. And, finally, Ben must conquer the town's teen villain who has an unhealthy obsession with Kimberly and a penchant for arson. It may sound like a lot of plot for one book, and it is, but Harmon makes it work with believable characters, Ben's biting wit, and solid lessons about acceptance and responsibility.—Nora G. Murphy, Los Angeles Academy Middle School

Gr 4–6—Herrick follows one year in an Australian classroom with a nerdy, hippie, caring, and unconventional teacher. Told in multiple voices, including those of J-man the rapper, Jason the good kisser, Peter the boy with the talking bottom, and Emily the ballerina, the novel captures the humor and unpredictability of 11- and 12-year-olds. Mr. Carey fosters a sense of community in which all of his students are encouraged to find out who they are and what they're good at. The children suggest cocurricular activities (one kid jokingly offers naked bunyip dancing—but for bunyips only). Readers will need to look up "bunyip" to understand the humor and innocence of the title. The book culminates in the show that the class puts on for families and friends. The terse free verse, in short clear lines, is easily accessible. Funny, with some touches of poignancy, especially in one child's feelings about her parents' separation, this is a light, breezy glance at a sixth-grade classroom with a nurturing teacher. Educators will enjoy reading about the success of Mr. Carey's approach of valuing each student and letting the classmates have a voice in the direction their learning takes. References to pop stars give the book a contemporary feel, while some Australian terms may need deciphering. The childlike, black-and-white illustrations are reminiscent of the drawings of Shel Silverstein and complement the narrative.—Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME

Gr 5–8—A secret pawnbroker, Joe Zabbidou pays for secrets, and everyone has one. Ludlow Fitch, escaping his parents' efforts to sell the teeth from his mouth, meets Joe in the desolate mountain village of Pagus Parvus. It is an ideal place for Joe as miserly Jeremiah Ratchet uses people's transgressions to blackmail and cheat them. Joe offers young Ludlow a job transcribing confessions into Joe's Black Book. Desperate individuals declare they are grave robbers, thieves, even murderers, and are freed by their confessions. As folk unburden their secrets, mass hatred for Ratchet begins to foment, and later Joe himself becomes a target. A tightly woven novel, Black Book grabs readers from the first image of Ludlow protecting his vulnerable teeth. The author uses the device of claiming to have found extracts of Joe's book and Ludlow's memoirs, bridging the gaps with her imagination. The shifting perspective slows the action considerably. That said, Higgins employs visceral imagery (rat pies, wives buried alive) as well as Rembrandt-like contrasts of light and dark to illuminate the loneliness of wealth and despair. Add to this a dollop of suspense and the intriguing idea that fear of our own actions is our greatest enemy, and the result is an unusual, compelling read. Readers who like Sharon Shinn or Megan Whalen Turner will love this unique novel.—Caitlin Augusta, The Darien Library, CT

Gr 5–8—Setting is always central in Hobbs's books, and this time he's chosen the Black Hills of South Dakota as his backdrop. As fans would expect, he artfully weaves the human and natural history of the region into the story. As they might not expect, he amps up the outdoorsy action by tossing some sci-fi into the mix. Had Brady not been outside watching a meteor shower, he might not have lived to see his freshman year in high school. Dumbstruck, he watches as the entire horizon turns blue and a meteorite sails right through his roof, piercing the center of his mattress and wedging itself into his bedroom floor. The first person he calls is his slightly older and more athletic cousin Quinn, with whom he is close. When Quinn arrives, he can't help but notice that Brady now scorches him in every physical pursuit; he's suddenly much quicker and stronger—almost superhuman. Brady's been noticing—and wondering about—those changes too, and he knows that somehow they're linked to the meteorite. When the boys consult a scientist at a local museum, they find out that the rock comes from Mars and may contain long-dormant life-forms responsible for what is becoming Brady's increasingly troublesome transformation. His body, initially juiced by the Martian microbes, now seems to be quickly shutting down—just as he's become locked in a contest for possession of the meteorite with the twin brothers next door. Offering something to tantalize nearly every boyish taste, this title is a great choice for reluctant readers.—Jeffrey Hastings, Highlander Way Middle School, Howell, MI

Gr 9 Up—Hayley is an overweight junior with a "pretty face" and a good story to tell. She feels the pressure to have a beautiful body in her Santa Monica high school and at home, with a mother who has recently lost weight and now insists that the whole family eat mass amounts of tofu. The bright spot in the teen's life is her upcoming date with Drew, but then he expresses an interest in Jackie. Worried that her life in Santa Monica is too stressful, her parents suggest a 10-week visit with family friends living in Italy, and Hayley jumps at the idea. As soon as school lets out, she is on her way, with a plan to lose 30 pounds and make over her life. Once she settles into life in Umbria, though, she indulges in the local cuisine and the local tendency to walk or bike everywhere. Over the course of the summer, Hayley does lose a bit of weight, but, more importantly, she gains a sense of self and has a little romance along the way. Told with a more realistic voice than the weight-obsessed fat camp participants in Sasha Paley's Huge (S & S, 2007), Pretty Face offers a positive example of a teen who simply needs to get away from her old routines and view her life from a new perspective.—Sarah Krygier, Solano County Library, Fairfield, CA

Gr 9 Up—Mick Salisbury, 15, knows plenty about cheating; his father cheated on his mother, he told his mother about his father's affair (after he was asked not to), he was unfaithful to his girlfriend, and he helped a friend cheat on a homework assignment. His friends are troubled and have serious personal issues, his relationship with his father is difficult, and his decided lack of luck with the opposite sex does little to boost his confidence. Mick feels adrift in a sea of preppy classmates and high school football players; his lack of eye-hand coordination frustrates him to no end. He escapes through music on his iPod knockoff and hanging out with his troublemaking friends. The mundaneness of Mick's life evaporates when a Friday night of illicit drinking and poker turns into a shocking and devastating encounter with a local homeless man. This book could be a good way to spark conversation about the consequences of one's choice of friends, drinking, society's treatment of the homeless, and the extent of loyalty. The inclusion of profanity, violence, and brief sexual situations makes it a gritty novel. The realistic portrayal of high school life, the fast pace of the second half of the book, and the keen insight into interrogation and investigation tactics will keep reluctant readers turning the pages, but teens wanting a conclusive resolution might be disappointed by the ambiguous ending.—Jennifer Schultz, Fauquier County Public Library, Warrenton, VA

Gr 8–11—Three bright and funny Brookline, MA, eleventh graders look back on their most excellent year—ninth grade—for a school report. Told in alternating chapters by each of them, this enchanting, life-affirming coming-of-age story unfolds through instant messages, emails, memos, diary entries, and letters to celebrity divas and to a deceased mom. T.C. (Anthony Conigliaro) Keller, whose mother died when he was six, is in love with baseball and Alejandra (Alé) Perez. She and Augie Hwong, who is gay and in love with Andy Wexler, are passionate about the stage and screen, and Augie and T.C. have been "brothers" since they were six. The teens mount a fabulous talent show, launch a couple of grassrooots political movements, and bring hope and love to a deaf, six-year-old foster child. What's more, Augie and T.C. have a refreshingly positive relationship with their parents. Similar in storytelling style to Kate Klise's classic Regarding the Fountain: A Tale, in Letters, of Liars and Leaks (Avon, 1998), this is a rich and humorous novel for older readers. The teen and adult characters are quirky and charming, and their adventures are involving without being over-the-top. A fun, feel-good story with star quality.—Sharon Senser McKellar, Oakland Public Library, CA

Gr 9 Up—Ridgeport High School is an ordinary public school with an extraordinary theater department. As the students prepare to perform Grease, their spring musical, junior Brianna goes from motivated good girl to overachiever, relying on uppers and downers to get her through her jam-packed days. There is the usual cast of drama students within the main plot: the diva, the tech geek, the reluctant performer, the jock who can act, the homosexual, and the student director. The multiple points of view stay true to teen language, including instant messaging. The drug-use subplot is not explicit and is quickly and neatly resolved; Lerangis mainly shows the effects of the pills on Brianna (short temper, shaking hands, confusion, and delirium). Nice-boy Harrison deals with his racist, homophobic, Greek father, providing a father-son strained relationship as another narrative thread. Unlike Paul Ruditis's "Drama!" series (S & S), the theatrical aspect of the book isn't too technical and, in fact, provides much of the drama and hilarity. Overall, a solid and well-cast production.—Terrilyn Fleming, Colby Public Schools, KS

Gr 7 Up—Genesis Sommer, 17, lives with her father, stepmother, and twin half brothers in a town on Moosehead Lake in northern Maine. Her world turns upside down on a stormy November day when her father ventures out on the lake to repair a dock and doesn't return. The rescue team finds his boat, but soon the reality sets in that the mission has become a retrieval operation. Then the lake freezes and a period of terrible waiting begins. Genesis quits school and goes to work in order to help support the family, and life takes on an almost surreal aspect. The one thing that holds meaning for her is ice-car racing, an activity she shared with her father. When she wins her first major competition, she goes in search of information about her dad and begins to accept his death, allowing herself to feel the emotions that she had been denying over several weeks. Genesis comes to realize that she really did not know her father, and the same can be said for her stepmother, brothers, and best friend. Her slow climb back to the world of the living begins with the answers to many questions and with self-discovery. This well-written, thought-provoking novel will ring true even for those who have not lost someone close. It is a soul-searching quest that makes readers think about what is important and the steps needed to take charge of one's life. A worthwhile purchase for most collections.—Donna Rosenblum, Floral Park Memorial High School, NY

Gr 5–8—Gabe loves his DeepSea Danger Hunt computer game. He and his cyber sidekick explore underwater territory, searching for the wreckage of the U.S.S. Victoriana. It's easier to lose himself in a game or in his pet fish than to control his temper and he feels self-conscious about his older brother, who has ADHD, and his odd younger brother, who Gabe feels will be diagnosed with something similar before long. He finds himself getting angry with those around him, and he is alienating his best friend. However, when he is called to the principal's office yet again, he realizes, with the help and support of his parents, that he is the one who must change. This story is for readers who are turned on to reading: it has boy appeal all over it, but there isn't quite enough action to convert a nonreader. Levy's introductory paragraphs are tricky: they make the book seem as though it's about a kid who scuba dives. Readers slowly come to the realization that Gabe is lost in his computer game and, suddenly, he's like almost every boy. The cover doesn't take advantage of the gaming story line; instead, it features fish. This book won't have wide appeal—it will need to be promoted—but Underwater deserves an audience and should find one with male readers.—Laura Lutz, Queens Borough Public Library, NY

Gr 7–10—Laugh-out-loud funny, this prequel to the now four-part series about Jess Jordan is sure to be a winner with fans of British chick-lit. After receiving his picture in the mail, Jess falls in love with her French exchange student. Then she meets him face-to-face and discovers that he's as small as an elf, speaks almost no English, and has a fascination for spiders and snakes. Worse, he has a crush on her. Efforts to discourage him, involving Jess pretending to have a relationship with her best friend, adorable if nerdy Fred, change when she develops a crush on another French exchange student, Gerard. When this ladies' man comes on to Jess and then to her friend Flora on a camping trip with some classmates and their exchange partners, Jess isn't the only one who is jealous of Gerard and Flora, and watching everyone's reactions is hilarious. The fast pace will keep readers turning the pages. A few of the scenes don't further the story, but even those are so full of sparkling wit and slapstick humor that it doesn't matter. The tale stops rather than ends, leaving readers waiting for the next installment to see if Jess catches a glimpse of gorgeous classmate Ben's appendicitis scar.—Catherine Ensley, Latah County Free Library District, Moscow, ID

Gr 4–7—Timothy, twins Barnaby A and Barnaby B, and Jane Willoughby live in an imposing Victorian house. Their uncaring parents would like to get rid of them, and the feeling is mutual. The adults go off on vacation, leaving the young Willoughbys in the care of a nanny, and try to sell the house in absentia. This leads to some of the more hilarious moments as prospective buyers arrive and the children disguise themselves as lamp shades and coat hangers. The day a baby is left on their doorstep, events are set in motion that bring about some desired changes and an "all's well that ends well" resolution. Lowry continually reminds readers that the characters and events in this story are meant to recall those found in "old fashioned" children's books, a bibliography of which she includes at the end. The plot is understandably dependent on coincidence, but the ultimate effect is to render the characters emotionally distant, leaving readers with little empathy for them. However, the glossary of terms such as "lugubrious" and "obsequious" at the end of the book is absolutely choice, and Lowry's cover and interior illustrations show that she has an entirely untapped talent. Children will enjoy the story's absurd humor while adults may be put off by its dark elements. Lowry is never afraid to expand her boundaries as a writer, and this book, even if somewhat flawed, belongs in most collections.—Tim Wadham, Maricopa County Library District, Phoenix, AZ

Gr 6–10—Who was Guinevere before she was Queen of Camelot? Though a prophecy foretells that she will be queen of the land, 13-year-old Guinevere would rather be out riding her horse and escaping the confining walls of the castle where she lives with her aunt, Queen Alyse, and uncle, King Pellinore. Arthur, the new High King of Britain, has called Pellinore and his troops away to battle. Taking advantage of the men's absence, dastardly Sir Darric tries to weasel his way into the Queen's good graces so that he can be betrothed to her daughter, Elaine, and take over Pellinore's lands and treasures. He nearly succeeds, but Gwen is skeptical of his intentions and finds out that he has been stealing Pellinore's cattle. Queen Alyse is a sharp woman, and when she realizes that Sir Darric intends to lay siege to her castle and overthrow her, she puts a plan in action that helps save them all. While out riding, Gwen stumbles onto the fact that she is being protected by the Old Ones, who have been watching over her to ensure that the prophecy is fulfilled, and the Old Ones come to the castle's rescue as well. Subtle details of Arthurian legends are woven into the story, but Arthur is a very minor player. Gwen and Queen Alyse are strong and feisty and take care of business while the men are away, making this a good "girl power" story.—Cheri Dobbs, Detroit Country Day Middle School, Beverly Hills, MI

Gr 9 Up—Paul leaves home after another epic fight with his stepfather, determined to find a job and a place of his own. He follows a couple who are destroying security cameras and dropping leaflets and becomes a member of Omega Place, an organization dedicated to alerting the public to the danger to privacy posed by England's vast network of closed-circuit security cameras. Living in "squats" and traveling in stolen cars, the group's members operate like a small, disciplined guerrilla army. As Paul struggles to understand the various relationships, he discovers parallels with his own family. All is not as it appears in Omega Place. It is unclear who really calls the shots, and where the organization is getting information about top-secret government programs. The group's possession of such information attracts the attention of powerful people, leading to the events that bring the police to Paul's mother's door to inform her of his violent death in an abandoned house in London. While this is an interesting story with enough action and plot twists for most teens, the heavy use of British slang will prove an obstacle to some, and there is no glossary. One of the underlying plot elements—who started Omega Place and why—is not sufficiently explained. But the topics raised—privacy, Big Brother, passivity—are timely tie-ins to current events and constitutional issues.—Anthony C. Doyle, Livingston High School Library, CA

Gr 5–8—An inventive fantasy-adventure by a first-time author. Rory, 13, and his sister Bridget, 9, live in present-day New York City unaware of the spirits from Manhattan's or "Mannahatta's" past that coexist alongside them. Rory has a gift for seeing this other world but has repressed this ability until the day he notices a cockroach riding a rat, an ancient Indian warrior, a papier-mâché boy, and other oddities. He's able to see such historical figures as Peter Stuyvesant, Walt Whitman, John Jacob Astor, Alexander Hamilton, and Babe Ruth—all immortal gods in this parallel world—and he learns that it's up to him to thwart an evil assassin who has been killing the gods, and free the Munsee Indians who are imprisoned in Central Park. He's joined by other immortal teens, including Nicholas Stuyvesant, Peter's son, and Lincoln Douglass, Frederick's son. The use of real historical figures and events lends authenticity to this compulsively readable and fast-paced fantasy. Rory may be the one destined to save Mannahatta, but Bridget, spunky and determined, also does her part. This book will appeal to fans of Rick Riordan's "Percy Jackson and the Olympians" series (Hyperion/Miramax).—Sharon Rawlins, New Jersey State Library, Trenton

Gr 8 Up—Instead of heading to college as his father wishes, Robin leaves Harlem and joins the army to stand up for his country after 9/11. While stationed in Iraq with a war looming that he hopes will be averted, he begins writing letters home to his parents and to his Uncle Richie, the main character from Myers's acclaimed Vietnam War novel, Fallen Angels (Scholastic, 1988). Robin finds himself in a diverse Civil Affairs unit of both men and women, with a mission to serve as a buffer between winning over the Iraqi people and concurrent military operations. As the war unfolds, the military angle of Robin's job escalates, and he experiences increasing horrors of violence, death, destruction, insecurity, sorrow, and extreme fear. Ultimately, he comprehends the reasons Uncle Richie never wanted to talk to their family about what happened in Vietnam, saying, "…are there really enough words to make them understand?" Myers brilliantly freeze-frames the opening months of the current Iraq War by realistically capturing its pivotal moments in 2003 and creating a vivid setting. Memorable characters share instances of wry levity that balance the story without deflecting its serious tone. Through precise, believable dialogue as the catalyst, tame compared to that warranted in Fallen Angels, Myers's expert portrayal of a soldier's feelings and perspectives at the onset of this controversial war allows the circumstances to speak for themselves.—Diane P. Tuccillo, Fort Collins Regional Library District, CO

Gr 5–8—In this third installment in the series, Willa plans to spend the summer reading on the beach, but life isn't so simple. The Bramblebriar Inn, which her family owns, has two weddings to plan. The teen is hoping to land the role of Emily in a local production of Our Town, but fears that a beautiful new girl is trying to steal her boyfriend and her part in the play. And when Willa's mother announces that she is pregnant, the high school student has mixed feelings about becoming a big sister for the first time. Luckily, Willa is as headstrong and enchanting as the heroines in the books she devours. The novel's descriptive narrative will hook readers from the start, and the protagonist's irrepressible wit will keep them going. They will fall in love with Willa's family and friends, who populate the quaint Cape Cod town. The author makes every effort to fill in the gaps for those who haven't read the earlier books, but this volume does not stand alone. However, the characters are so lovable that readers will want to go back to the earlier titles.—Julianna M. Helt, Carnegie Library of Pittsburgh, PA

Gr 5–7—In this technical tour de force, father and daughter combine origami-style figures and intricate pop-up effects into six spreads and a double gatefold of paper magic. The art evokes common materials, from a whirl of newspaper doves or passport pages made into sailboats to legal-pad-paper ducks swimming in a desktop "pond" of spilled coffee and, for a spectacular finish, an array of Chinese take-out menus and cartons falling prey to a hungry dragon's attack. The figures are mostly made of precut and glued pieces, but many of the beaks and noses, at least, are actually folded. This is recommended only for display and as a specimen for special collections.—John Peters, New York Public Library

Gr 8–10—In The Queen Geek Social Club (Berkley, 2006), high school freshmen Becca Gallagher and Shelby Chapelle formed a group that would bring together girls like themselves. In this sequel, Becca has plans to make the QGSC even bigger and better, with Shelby's help. Her friend, however, is preoccupied with her first serious boyfriend. Preble expertly handles the ups and downs of teenage friendship and romance, as well as motherless Shelby's relationship with her involved, "mad scientist dad." Readers will enjoy this light, funny novel with real characters who go through the typical trials of teenage life.—Shari Fesko, Southfield Public Library, MI

Gr 5–8—Focusing on a single afternoon—a mere six innings of a Little League game—Preller delves into the psyches of middle school boys on two teams—Earl Grubb's Pool Supplies and Northeast Gas & Electric, as well as that of Sam, previously a player but now an announcer. Without explaining why, the story begins with Sam being in bed, thinking about baseball, unable to get to the bathroom alone. It is only later in the book, in a brief area, that readers learn of Sam's recent diagnosis with osteosarcoma. In between Sam's broadcasts, readers learn about other team members, their thoughts and memories about baseball and family. Sharing tidbits of these boys' lives, exposing diverse backgrounds and situations, Six Innings should hit home with many readers. Written in the authentic voice of a soon-to-be 13-year-old, the narrative reflects the thoughts and sensibilities of a middle schooler. Tension builds as the game progresses, and the boys' characters are developed each time they are at bat or on the field for an important play. A tale of baseball, friendship, growth, and coming to terms with hardships, this fast read will grasp any reader who enjoys sports.—Sara Rofofsky Marcus, Yeshiva Har Torah, Little Neck, NY

Gr 4–7—Simon Bloom, an average sixth grader who has made a habit of keeping his head down and out of trouble, discovers a "teacher's edition" physics manual that allows him to control gravity, velocity, and other physical properties. With his newfound powers, along with some new friends, he must face a rogue member of the mysterious Order of Physics who seeks to overturn the laws of nature. Part "Harry Potter," part The Hitchhiker's Guide to the Galaxy, with a hint of "Goosebumps" thrown in for good measure, Simon Bloom is a solid choice for the intended audience. The book has a standard plot and characters that rarely rise above one-dimensional; what saves it is the playful yet respectful way that Reisman integrates actual physics into the story. While his characters are running around fighting people with ridiculous names, they are also learning about Newton's laws of gravity, motion, and velocity. With its mixture of humor, fast-paced action, and science fiction, this book will certainly appeal to many readers. Hopefully, it will get them interested in learning more about the real science, not the kind that enables kids to fly or shoot electricity, but the kind that still does some pretty cool things.—Steev Baker, Kewaskum Public Library, WI

Gr 4–6—When Leo's annoying cousin, Mimi, and her dog arrive for an extended visit, she encourages him to break the rules that accompany the family music box left to him by Great Aunt Bethany. Overwinding the box opens the gate to Rondo, and the Blue Queen jumps into their world and kidnaps Mutt. Mimi insists on rescuing him and follows her back into the fairy-tale world of the music box, and Leo is dragged along as he attempts to stop his cousin. The two children travel over the sides of the box from the town market scene, to the Flitter wood full of pixielike creatures guiding them, to the Dark Forest, and finally to the palace of the Queen. Along the way traditional characters from nursery rhymes and fairy tales appear to help or hinder their progress, from Old MacDonald to Grandma, who was once tricked by the wolf. The ground is infested with "dots," gingerbread men who are kept away by a sly fox and a brave pig (who went to work after her house was blown down). While the characters and writing are neither complex nor literary, children will get a thrill from identifying the familiar tales referenced. The rollicking, action-packed plot moves along quickly and twists keep readers guessing. Not quite as well crafted as Cornelia Funke's Inkheart (Scholastic, 2003), this story will likely appeal to a less-experienced, less-sophisticated audience.—Kelly Vikstrom, Enoch Pratt Free Library, Baltimore, MD

Gr 7–10—Nothing is as it seems when Trouble arrives in varied and symbolic ways for two families and two communities. Franklin Smith, the arrogant scion of an aristocratic New England family, is accidentally struck while running and subsequently dies. The blame is accepted by a classmate, a Cambodian immigrant from a nearby town. When legal technicalities prevent Chay Chouan from being jailed, the perceived miscarriage of justice reverberates through idyllic Blythbury-by-the-Sea. Franklin's younger brother, Henry, becomes determined to climb Mount Katahdin, a feat that Franklin had coldly suggested might prove that Henry had guts. Henry sets out hitchhiking for the mountain with best friend Sanborn. Somewhat improbably they are picked up by Chay, who has been expelled by his father and is driving the truck that killed Franklin. Their symbolic journey predictably includes moments of danger, self-discovery, and reconciliation, fortunately leavened by the humorously ironic Sanborn. Complex structure allows revelations into the character of Chay, child of a violent refugee camp, unwanted product of rape, lover of poetry, and protector of Henry's sister (in a Romeo-and-Juliet twist). Teeming with plot elements, some of which may seem too purposeful, and richly veined with social and psychological crosscurrents, this story may be seen as allegorical in its intent and representation. Nevertheless it contains Schmidt's eloquent language and compelling characters, as well as compassionate examinations of the passage from childhood to adulthood and of the patterns of common experience that mark and unite us as humans.—Kate McClelland, Perrot Memorial Library, Old Greenwich, CT

Gr 7–10—Kate's father quit his job and is now living his dream by selling infomercial vitamins at a mall kiosk. The teen's college-graduate brother is living on the couch, her mother is working two jobs, and her friend Anna isn't talking to her now that Anna has lost weight and become popular. Making Kate's life completely miserable, her overbearing grandmother has moved in, and Will, the boy Kate tries to pretend she doesn't like because of their contentious history, is constantly making approaches at school and at their mall jobs. When the two start meeting to make out (but otherwise mostly ignore each other), and Anna hints that she might want to be friends again, Kate is more confused than ever about how to get her life back on track. Scott does a good job portraying a teen who is simultaneously self-centered and sympathetic. Kate's confusion and frustration over her lost friendship as well as the possibility of a budding romance are believable. Background regarding the difficult relationship between her mother and grandmother is skillfully woven in, as is the information regarding her long-standing friendship with Anna and her love/hate relationship with Will. Supporting characters are well fleshed out, and the ending, while encouraging, isn't all sunshine and roses, making it believable as well as hopeful.—Natasha Forrester, Multnomah County Library, Portland, OR

Gr 9 Up—Buried beneath the weight of a wholly untenable premise is a deeply moving, often beautifully rendered story of a girl who endures the loss of both her father and the boy she loves, and finds strength and hope as a result. High-school freshman Ryan Walsh still misses her dad terribly five years after his death in a boating accident. He was a sports reporter who instilled in her his love of the perennially disappointing Chicago Cubs. Ryan, who has grown away from her childhood friends, is lonely and miserable until she meets Nick, who shares her passion for the team. A recent transfer to her school, he is vague and evasive about the reason for the cast on his arm. It is eventually revealed that he has bone cancer. When Ryan suspects that he is seriously ill, she strikes a fateful bargain (with whom, it is never made clear) that the Cubs could continue to fail, as long as Nick is all right. As the team's fortunes improve and Nick's condition worsens, Ryan comes to believe that she is responsible. This central conceit of the novel—that a bright, sensible 15-year-old could believe that events are affected by this kind of irrational superstition—strains even the most willing suspension of disbelief. Nevertheless, those readers who stay with the novel to the end will be rewarded (in the last third of the book particularly) with scenes of genuine emotional power and language of sometimes breathtaking beauty and clarity. While her novel is less than a total success, Smith is clearly a writer with extraordinary gifts, from whom great things should be expected.—Richard Luzer, Fair Haven Union High School Library, VT

Gr 5–8—Ana Shen daydreams about how her junior-high graduation day should go: Jamie Tabata will ask her to the dance and will confess that he likes her. However, her dreams don't include a plumbing disaster resulting in the dance being canceled, popular classmate Amanda Conrad flirting with Jamie, or both sets of Ana's grandparents—one Chinese, one African American—cooking together. But that is what she gets when she impulsively invites Jamie and his parents to graduation dinner at her house. Her grandmothers don't get along and the evening could be a disaster. Ana tries to smooth things out as the meal comes together, but it's not easy. Her father reassures her that the differences in her family are like different flavors in Chinese cooking—hot, sour, salty, sweet—that together make something delicious. After dinner with Jamie's stern, judgmental father (and the surprise appearance of Amanda) Ana realizes that her family isn't the only one with problems. Ana is a winning heroine, a real teenager trying to cope with frustrating situations through patience and humor, and sometimes losing both. The supporting characters are strongly drawn, and reminiscences shared by the grandparents shed light on their younger days and add depth to the story. Fans of Phyllis Reynolds Naylor's "Alice" books (S & S) or Meg Cabot will enjoy discovering Ana.—Terrie Dorio, Santa Monica Public Library, CA

Gr 7–10—In this delightful novel, 16-year-old Princess Rhis travels from her small mountain kingdom of Nym to the large kingdom of Vesarja for a party in honor of newly named Crown Prince Lios. While there, the intelligent and independent teen takes a leading role in a quest to rescue an abducted princess and finds herself drawn, not to the handsome prince or one of his royal peers, but to the prince's clever, witty scribe. Readers familiar with the author's popular Crown Duel (1997) and Court Duel (1998, both Harcourt) will enjoy the similar setting and theme, and won't be too surprised when plucky Rhis discovers that things aren't always as they seem. This book strikes a far better balance between character development and plot than the earlier tales, and it ends with hints of a sequel. Smith's humorous narrative, colorful descriptions of palace life, and fully realized characters will appeal to romance and fantasy buffs alike.—Leah J. Sparks, formerly at Bowie Public Library, MD

Gr 7–10—Splendidly drawn characters caught between ancient Pakistani traditions and modern Western influences mark this strong sequel to Staples's Shabanu (1989) and Haveli (1993, both Knopf). For 10 years, Mumtaz has lived uneasily with her deceased father's extended family, sent there when her mother, Shabanu, staged her own death to protect her daughter from her treacherous Uncle Nazir. Attending a modern school and doted on by her grandfather Baba, a tribal patriarch who embraces Western ways of thinking, Mumtaz treasures the arrival each summer of her skateboarding cousin and best friend Jameel, who lives in California with his parents. At 15, Mumtaz is thrown into emotional disarray when she learns that Shabanu is alive and in hiding nearby. Then Baba's unexpected death prompts Jameel's succession as tribal leader, and the edict that Jameel and Mumtaz are to be married leaves the teens reeling. The richly detailed backdrop of upper-class Pakistani life in Lahore ranges from private country clubs to open-air markets, with exotic touches such as secret messages sent by pigeons. Staples adds a supernatural element via the djinn who appears to Mumtaz and Jameel in the form of Baba, offering posthumous guidance and protection. The author explores the role of educated women in traditional Islamic society, the importance of family and tribe in the Pakistani social structure, and the impact of Western education on emerging leadership through the candid reactions, honest emotions, and complex relationships of multidimensional people. Their story moves along quickly and intensely with elements of intrigue and adventure, holding readers' attention and sympathies.—Joyce Adams Burner, Hillcrest Library, Prairie Village, KS

Gr 9 Up—During the last six weeks of her senior year, Kate Winthrop finds out she is number 71. She doesn't know what that means until she receives a mysterious instant message that sends her to a Web site, where she finds that it is her ranking (out of 140) in the Millbank Social Stock Market, an underground market allowing insiders to buy and sell investments in Millbank High's female seniors. After freaking out, she tells her friends about the scheme and decides to revamp herself. The girls plan to buy into the market for $500 and then win the $25,000 year-end pool by raising Kate's status from junk bond to blue chip. During her transformation, she almost loses her friends, becomes entangled in a love triangle, and learns that being popular isn't all it's cracked up to be. While Kate has the same thoughts that haunt other teens (and engages in the same underage drinking like many of them) this isn't just another makeover novel. After her revamping, Kate decides that she doesn't want to be in the popular crowd after all. Teens who like Sixteen Candles and Can't Buy Me Love (which Kate watches) will dig this book.—Shannon Seglin, Patrick Henry Library, Vienna, VA

Gr 4–7—Revealing that dragon fossils have recently been found at secret locations in Europe and elsewhere, then going on to suggest links between dragons and dinosaurs, this quick pop-up survey presents its topic so seriously that readers should have no trouble suspending their disbelief. The five painted 3-D figures are relatively large, and range from a cute, if rather simply designed, hatchling to a huge, toothy skeleton of a Western dragon that resembles a T. rex with bat wings; surrounding each one are smaller images, plus nuggets of various legends and brief descriptions of the characteristics of dragons from various countries. Though the pop-ups display themselves better here than in Moseley's Dragons (Abrams, 2006), one spread inexcusably depicts a band of Illini warriors as generic Indians—braids, feathered headdress, and all. There are many other, more carefully considered choices available for young dracophiles.—John Peters, New York Public Library

Gr 7–10—When Sami lands in Inverness, she's looking forward to 45 days of hot Scots, kilts, and a stay at the castle of a long-lost relative. However, the 16-year-old finds herself living in one of the castle's crofts, a guinea pig in the family's attempt to turn the run-down estate into a working farm for tourists. She pumps her own water, makes her own soap, counts sheep, and has to deal with an unfriendly cow. Sami's cousin Fiona is obsessed with two things: the ghost living in Sami's bedroom and the long-standing feud with the neighboring McClintoggs. Unfortunately, the McClintoggs have a cute son, Adan, and he and Sami immediately hit it off. Days pass while readers are left to struggle with the flow of time and lack of depth in both story and character. Sami's mother is a famous romance novelist who is supposedly known for researching her stories, but Swoish can't be bothered to use even simple Scottish words like "dinnae." Despite hopes that the annoying ghost side story is the product of an overactive imagination, there turns out to be a "real" ghost haunting Sami's room. This is a quick read, and the diary style should appeal to fans of Meg Cabot's books, while the content is a more accessible, less slang-filled, version of Louise Rennison's books. An uninspiring but ultimately harmless addition to larger collections.—Cara von Wrangel Kinsey, New York Public Library

Gr 6–8—Rich girls, extravagant spending, and an elaborate party sound like the recipe for yet another in the long series of spoiled-rotten-girl books that have been abundant in the past few years. Luckily, this one is different. The first in a trilogy about the Avery sisters, it focuses on the youngest, Phoebe, whose picture-perfect family is facing a challenge. Mr. Avery is a kindergarten teacher, and it is clear that Mrs. Avery's income maintains the family's lifestyle: cars, housekeeper, pool, vacations, and a nanny who spends a lot of her time chauffeuring the girls around. When a business deal falls apart and threatens the family's financial security, loyalties, priorities, and relationships are brought into question. What rings so true is Phoebe's complete ignorance about money. Her family has it, they've always had it, and they never talk about it. It is a real transformation in the eighth grader's life when all of a sudden her parents start talking about what things cost and what they can (and can't) afford. Readers will find that the middle school characters act appropriately for their ages and the parents, while peripheral, are essential to their children's sense of self as young adults. Kindness and understanding emerge in unexpected, fresh, and satisfying ways, and readers will be looking forward to finding out what lies ahead for the Avery family.—Genevieve Gallagher, Murray Elementary School, Charlottesville, VA

Gr 8–11—Sixteen-year-old Lucas idealizes his father, Pete, who disappeared when the boy was six. Mum says they were abandoned, although Lucas makes excuses for his dad. On entering a minicab office one day, he finds himself drawn to an urn containing the ashes of a woman named Violet, which someone left in a cab years before. Part mystery, part magical realism, part story of personal growth, and in large part simply about a funny teenager making light of his and his family's pain, this short novel is engaging from start to finish. It feels like Frank Cottrell Boyce's Framed (2006) or Millions (2004, both HarperCollins) for a slightly older crowd—especially in the all-too-human quirky family members and their willingness to employ creative methods to secure their ends as well as in the contemporary middle-class London setting. Throughout, Lucas's tongue-in-cheek lists (e.g., "good reasons to make friends with a dead lady in an urn") relieve the seriousness of his family's situation and his relatively mature revelations about them and himself. Lucas steadily unravels the two mysteries—the deceased Violet and the missing Pete—and leaves readers with a highly satisfying surprise inside the final knot. Neither too heavy nor too fluffy.—Rhona Campbell, Washington, DC Public Library

Gr 4–7—Cartoon pigs dramatize a tried-and-true love story in this small square picture book illustrated predominately in a cotton-candy palette of pink. Boy pig falls for girl pig, Bloom, and invites her to play in a puddle. Girl pig falls for a blue butterfly that she mistakes for a flying flower. When the butterfly breaks her heart, the steadfast boy pig is there to pick up the pieces and win her in the end. The simple yet expressive line drawings on a white background get lost in the overwhelmingly sugary design and story line. This little book holds the most promise for preteen girls nursing their first crushes.—Julie Roach, Cambridge Public Library, MA

Gr 7 Up—Dana, 14, escapes her stepfather's sexual abuse by running away to the streets of Toronto, where she forms a "family" with street kids Ashley and Brent. Panhandling money for food, finding places to sleep, and staying safe are a struggle, but the three manage to survive. Little by little, Dana learns why her friends are in this situation, and she in turn reveals her story. The teens' saving grace is Sketches, a drop-in center where homeless youth engage in art and are cared for. When an attempt to make a home in Tent Town falls apart, Dana, Ashley, and Brent, with the help of Sketches's staff, develop a plan to get off the streets permanently. Though Walters's characters are developed enough for readers to care about them, they're not fully fleshed out. While hinted at (but never actually described), Dana's abuse is not disclosed until the end of the book, raising unanswered questions of why she left her younger sister in jeopardy and whether she had told her mother what was happening. Todd Strasser's Can't Get There from Here (S & S, 2004) is a more compelling, intense, and bleak depiction of street kids, but readers who liked it will be drawn to this story, too, especially its believable yet non-gritty dialogue. The characters' well-portrayed camaraderie, resourcefulness, and resiliency carry the tale, which ends on a note of promise.—Diane P. Tuccillo, Fort Collins Regional Library District, CO

Gr 4–6—Ten-year-old Natalie is resigned to a quiet summer of riding her bike around the neighborhood and entertaining herself. But when she almost crashes into the new kid on the block on the first day of vacation, she quickly realizes that this summer is going to be anything but ordinary. Annie is brash and outspoken, and adamant that the far-fetched stories she tells about herself are true. She lives with her uncle, who provides minimal supervision. Natalie's mother tries to steer her daughter away from this friend's questionable influence, but Annie's unpredictable nature calls to Natalie. In search of adventure, the girls form a spy club: Natalie becomes "Olive" and Annie, "Elvis." Spying on their neighbors seems harmless enough until private issues are brought to light during a block party, and both girls learn painful lessons. The characters are fairly two-dimensional, and the loose ends tied up too neatly, but fans of protagonists like Anne Mazer's Abby Hayes will enjoy the twists and turns the story takes as the two try to undo the damage they have caused. An additional purchase for large collections.—Kim Dare, Fairfax County Public Schools, VA

Gr 8 Up—This thoroughly enjoyable sports novel is set in rural Minnesota and centers on a quarter-mile dirt racetrack struggling for economic survival. The plot plays out over the course of one Saturday, culminating in that evening's racing. The story is divided into four chapters—Noon, 3:00, 6:00, and 9:00 PM—and within each one, various characters are introduced. The cast, composed of both genders and multiple ethnicities in a variety of racing roles, includes young drivers starting their careers, older drivers hanging on for the love of the sport, the track owners and their employees, the mechanics, and snack-food vendors. As bad weather threatens, the track draws star drivers from out of town in an effort to boost the gate, with the event concluding just as the storm arrives. Throughout, the author keeps readers' interest, as curiosity grows about how the many characters will eventually fit together. Racing terminology is used accurately, and the scenes are plausible, although the positive outcome of almost every problem seems too good to be true. Still, this book presents a fascinating look at small-time racing where the love of it gives the glitz of NASCAR its roots.—Jeffrey A. French, formerly at Willoughby-Eastlake Public Library, Willowick, OH

Gr 4–7—Henry York, 12, discovers 99 different cupboard doors hidden behind the plaster in his attic bedroom, and one in the room that belonged to his deceased grandfather. Henry's not particularly brave; in fact, he has only recently stopped wearing a helmet to P.E. class. Nevertheless, he opens some of the doors, only to become more and more puzzled. One of them, for example, opens into a forest, and behind another, mail is delivered. Henry's nagging cousin Henrietta wants to explore further and decides to open a menacing black cupboard door. When he discovers her face-down with her ice-cold arm in the grip of someone inside the cupboard, the boy and his family are unwillingly pulled into a life-or-death adventure. While the first part of the book may seem slow to those thinking the title indicates an immediate portal into different realms, fans of dark fantasy will be intrigued by the unknown realities awaiting these unsuspecting people. The characters are especially memorable, with Henry's seemingly clueless Uncle Frank, whose laid-back style offers wit and energy, standing out most of all. The story is well crafted and gratifying but the resolution may prove challenging for some. Unanswered questions lead into the next book in the series.—Robyn Gioia, Bolles School, Ponte Vedra, FL

Gr 7–9—This is a fun, sassy, lighthearted story of a Florida high school freshman who's trying to make a graceful transition into young adulthood. Kayla faces the usual difficulties: parents who don't understand her, a beautiful younger sister, and, of course, boy troubles. An aspiring journalist, she is persuaded by her friend Rosalie to try out for the Lady Lions dance team and expose its prejudice for large-breasted girls. This is an opportunity to stand up for women and show that looks don't make the person. Things don't turn out as expected, however, and Kayla finds herself making the team and enjoying the friendship of the other dancers. The novel is written in first person, diary style, with teen jargon and quotes from Zora Neale Hurston, Oprah Winfrey, Mary Wollstonecraft, and others interspersed throughout. A "Lexicon of Kayla-isms" is appended.—Sheilah Kosco, Bastrop Public Library, TX

Gr 5–8—Life for Digory, 11, and Cubby, 9, is hard on the Cornwall coast in the late 1600s. After hearing that their father's ship has been lost, they are sent by their aunt to Plymouth 100 miles away to discover if their father survived. Without his income, she cannot afford to keep them. They receive discouraging news but are rescued by a fascinating man named Henry Winstanley of Littlebury, who is known as a jester due to his marvelous, somewhat whimsical inventions. Winstanley believes, however, that his greatest accomplishment is the lighthouse he designed and built on the Eddystone Reef, which was responsible for a tremendous loss of life and ships before the light was erected. Word comes to Winstanley that the light is in need of repairs and supplies so he and the brothers journey back to Plymouth only to discover that the worst storm of the century is approaching. This fascinating, well-written story is closely based on the life of the real Henry Winstanley. It introduces one of the leading inventors of the day and provides a glimpse, through the young brothers, of harshness of life for the common people during this period. The characters are finely drawn and the action is nonstop. Many of the short chapters are cliff-hangers, making the book a great read-aloud.—Nancy P. Reeder, Heathwood Hall Episcopal School, Columbia, SC

Gr 6–10—D Foster, Neeka, and an unnamed narrator grow from being 11 to 13 with Tupac Shakur's music, shootings, and legal troubles as the backdrop. Neeka and the narrator have lived on the same block forever and are like sisters, but foster child D shows up during the summer of 1994, while she is out "roaming." D immediately finds a place in the heart of the other girls, and the "Three the Hard Way" bond over their love of Tupac's music. It seems especially relevant to D, who sees truth in his lyrics, having experienced the hard life herself in group homes and with multiple foster families. Woodson's spare, poetic, language and realistic Queens, NY, street vernacular reveal a time and a relationship, each chapter a vignette depicting an event in the lives of the girls and evoking mood more than telling a story. In this urban setting, there are, refreshingly, caring adults and children playing on the street instead of drug dealers on every corner. Readers are right on the block with bossy mothers, rope-jumping girls, and chess-playing elders. With Tupac's name and picture on the cover, this slim volume will immediately appeal to teens, and the emotions and high-quality writing make it a book well worth recommending. By the end, readers realize that, along with the girls, they don't really know D at all. As she says, "I came on this street and y'all became my friends. That's the D puzzle." And readers will find it a puzzle well worth their time.—Kelly Vikstrom, Enoch Pratt Free Library, Baltimore, MD

Gr 7 Up—Jenna, 17, has remade herself. She's lost weight, is invited to social events, likes her alternative high school, and even has a boyfriend. In vivid detail, she recalls the bittersweet events of her earlier life. One of the few non-Mormons in her Salt Lake City grade school, she was a social pariah with only one friend, a boy named Cameron, another outcast. Readers are given fleeting glimpses of happy memories as well as the horrific traumas of their past, including a devastating experience with Cameron's cruel and abusive father and Jenna's belief that Cameron moved away and then died. When he reappears during her senior year, she reassesses her situation—and the person whom she has become—and realizes that the strength of her relationship with her friend spans time and makes her current relationships seem trivial. Zarr's sophisticated writing style, bouncing back and forth in time, teasing readers with further details, is wonderful. The main characters, and their unique bond, are well drawn and believable. Jenna struggles to see the child she was more clearly, to find a way to integrate her past into her present and to work toward self-acceptance. Despite its title, Sweethearts is not saccharine; it is substantial.—Leah Krippner, Harlem High School, Machesney Park, IL

Gr 5–8—Caught between her divorced parents' rural and city worlds, JoEllen approaches her 13th birthday with a growing definition and assurance of her personal identity. Half of her name is from her father, Joseph, who calls her Joey; the other half is from her mother, Eleanor, who calls her Ellen. "Now my days—/divided between them—/are as different as my names." The girl's life, however, at each end of the 42 miles that separate her parents, is rich and complicated, and the author subtly develops JoEllen's awareness: "The apple trees/share secrets./The ducks endlessly discuss/the quality of rain" ("Farm Nights"). "An ambulance wailing/cars cussing/cats calling/dogs delivering the news" ("Cincinnati Nights"). The poems meld together into a smooth story that ends with this invitation: "My favorite poems/hold a wooden spoon of words/and whisper:/Taste" ("The Poems I Like Best"). Mixed-media collage illustrations complement the subject of each poem and reinforce the complicated and changing moods of the story. Young people will appreciate this easy-to-read, empowering story.—Lee Bock, Glenbrook Elementary School, Pulaski, WI

Gr 3–8—Brightly colored, appealing reproductions of collages form the basis of Albert's introduction to his own artistic journey and of his passion for promoting the use of recycled materials in art. He explains his Pop Art creations: his patriotic collages, his Pop Cubist portraits of classic American brands, and his "epic works" based mostly on patriotic or biblical concepts. His recurring themes are the overwhelming presence of consumerism in our society and the power of words. Readers will be drawn to the familiar labels and images from well-known products—cereals, soups, candy, sodas—and his arrangement of them into new images will be intriguing, especially for those who appreciate the intricacy of interwoven colors and ideas. Some of the pieces are sure to encourage young artists to experiment with these readily available and inexpensive materials. Indeed, the final page lists the seven simple tools needed to make Albert-style collages. However, one cannot help but notice his self-promotion—mentioning the "Sir Real" organic juice products that he makes and distributes, as well as pitching his availability to give workshops on his artistic methods. Much of what he does is quite clever—the Washington and Lincoln portraits made from money, for instance—and several works, such as his "Judgement (sic) Day" and "You Know What They Say" collages, will send "Where's Waldo"-type fans on an adventure as they search for the hidden words and sayings. While not an essential purchase, this could be a worthwhile addition to illustrate a present-day approach to Pop Art.—Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RI

Gr 6 Up—Two up-to-date resources with supplemental full-color reproductions and photos. Axelrod-Contrada opens with the history of drug use from ancient times to the present. She examines how drug use has caused financial, legal, and penal problems over time and discusses popular culture and how drugs have killed many artistic people at young ages. Klosterman has done an excellent job of demonstrating how drugs affect the body functions. The illustrations and captions enhance the information to make it more understandable. All types of drugs are discussed, including inhalants, opiates, contraceptives, etc., giving specific explanations as to which parts of the body are affected. Current and thorough overviews for general interest and for reports.—Lorraine B. Wiener, Inglewood High School, CA

Gr 5–7—Envisioning all forms of life as astronauts "living their days in the life support system on the surface of a giant spaceship," a former editor of Scientific American describes in some detail just how our planet's axial tilt, rotation, and orbital path were discovered and measured, as well as how external forces affect all three. She then goes on to explain how scientists use parallax and other physical effects to determine distances and movements in our galaxy and the universe at large. Though the color illustrations are small, and one picture purportedly showing how to draw an ellipse using a string and two pins is incorrect, in general, the old prints, modern space photos, and clear digital images are well chosen to clarify and enhance the presentation. Closing with substantial lists of multimedia resources for further exploration, this title will make a worthwhile addition to most collections, as it will serve both assignment and interest-driven readers equally well.—John Peters, New York Public Library

Gr 4–6—These titles introduce readers to famous voyagers, important explorations, and the science used to get these history makers on their journeys. Bingham details Cook's amazing 16th-century expeditions. Readers will be especially interested in the captain's interactions with Native peoples and be wowed by the sheer enormity of the miles traveled and places seen. Gogerly's account of the race to the South Pole will make readers shiver. In an ultimate, to-the-death competition, these well-respected men tried to best each other and bring prestige to their homelands. Kerr explores the planning, equipment, stamina, and luck needed to reach the highest point on Earth, while Marco Polo shows a boy swept onto the Silk Road by both family and commerce. He thrived on the excitement of seeing the world as few ever had, befriended the great Kublai Khan, and ultimately took his stories home to Venice to share with the Western world. Each volume includes historical background, detailed maps, full-color photographs, illustrations, and thorough indexes. The books are slim and attractive, and the information is broken down into easily read paragraph segments with bold headings.—Tracy H. Chrenka, Forest Hills Public Schools, Grand Rapids, MI

Gr 5–8—These titles attempt much and achieve too little. They allude to ancient history and art in their treatment of Celtic, Greco-Roman, and Aztec and Mayan mythology. Brief, dry retellings of legends (the Aeneid in four pages!) are interspersed with factual tidbits about ancient society, government, daily life, and the like. Unfortunately, the organization of the information is hard to discern, and the tables of contents provide no guidance. The photographs of landscapes, relics, and artwork are nicely reproduced, for the most part, but they cannot compensate for the haphazard structure of the texts.—Miriam Lang Budin, Chappaqua Public Library, NY

Gr 4–7—Carver was born into slavery and raised by German-American farmers in the Ozark Mountains of Missouri, and his humble beginnings could not even hint at the innovative scientist and the passionate educator he would become. Bolden traces the course of his life and reveals how his love of nature, keen intellect, and ingenuity as a problem-solver earned him the name "the Wizard of Tuskegee." His famous research with peanuts represents only a portion of his work; his studies led to the development of hundreds of unexpected products from everyday plants. As a lifelong conservationist, he also pioneered research into the use of vegetables to create fuel. In this richly illustrated picture book, Bolden uses extraordinary historical photos and prints, as well as many reproductions of Carver's own sketches and botanical drawings, to create a well-planned biography that invites readers to peruse. The engaging narrative includes many of Carver's own quotes and sayings. His message, "Regard nature. Revere nature. Respect nature," rings with a truth that is still relevant today. Published in association with Chicago's Field Museum as part of an exhibition, this book includes a comprehensive list of notes and sources but lacks an index or table of contents. It is, however, a wonderful resource that will appeal to young researchers and should be a welcome addition to all biography shelves.—Carole Phillips, Greenacres Elementary School, Scarsdale, NY

Gr 6 Up—These well-organized and concise titles focus on major events in Native American history. Black Hawk provides a clear overview of early American expansion in the Northwest Territory, from the 1780s through the 1930s, detailing government actions and policies of Indian Removal and how they specifically affected the Sauks and Mesquakies, now known as the Sac and Fox tribes. Though not a tribal chief, Black Hawk was an outstanding Sauk warrior who came to represent fierce Native resistance in the eye of the American public during the 1830s. The battles that ensued (both intertribal and against the U.S. forces) are described, as are the policies created during this period, the consequences of which are still felt by tribes today. Attractive color paintings, maps, and photographs appear throughout. Red Power describes and defines what has come to be known as the American