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SLJ Review: Coraline the Movie

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This article originally appeared in SLJ's Extra Helping. <a href="https://www.schoollibraryjournal.com/subscribe.asp?screen=pi8">Sign up now!</a>

Kent Turner -- School Library Journal, 02/05/2009

This must be Neil Gaiman’s lucky year. Last month, his novel The Graveyard Book (HarperCollins, 2008) nabbed the Newbery Medal, the top prize in children’s literature. And this week marks the film release of his first children’s novel, Coraline (HarperCollins, 2002). Directed by writer-director Henry Selick (The Nightmare Before Christmas) with an imagination that matches Gaiman’s Grimm-gothic prose, Coraline is the first film to feature stereoscopic 3-D animation—and it’s visually extraordinary.

Coraline travels through a portal between worlds.
All photos: Laika, Inc. 2008©
The setting of the story has been relocated from England to a dilapidated Bates Motel-like Victorian house in Oregon, surrounded by misty, desolate woods. Having just moved into her drab home, Coraline—not Caroline!—explores her new surroundings on her own; otherwise she’d probably be bored out of her mind. Her parents, both self-absorbed writers, barely have a minute for their only child.

True to Gaiman’s original tale, there’s a crazy, disheveled old coot that lives on the top floor, Mr. Bobinsky, the so-called master of ceremonies of a mouse circus, and a pair of neighboring eccentrics, Miss Spink and Miss Forcible, who offer Coraline decades-old hard candy and an insightful tea-leaf reading. (A poster of Miss Forcible in King Leer hangs on a wall beneath where the two have stuffed and mounted their deceased schnauzers.)

Coraline and her Other Mother
Coraline’s most vivid encounters occur when she discovers a small door leading from the drawing room to a parallel universe, where she discovers a new set of parents and neighbors and where everything is perfect. There, her Other Mother whips up Coraline’s favorite meals and lets her do as she pleases. The only unsettling sight in this gleaming, candy-colored home? Her Other Mother and Other Father (who look like chilled-out, happier versions of her real parents) both have black buttons for eyes.

Selick wisely lets the pixels run rampant, and even the ordinary world looks trippy and surreal. Coraline has a helmet of blue hair; the Other Mother is all angles; and Mr. Bobinsky, Miss Spink, and Miss Forcible are corpulent grotesqueries. From beginning to end, the film looks like a live-action diorama. In fact, it would be hard to imagine the movie without its striking 3-D animation—the characters look like puppets without strings, with an occasional object or two jabbing out of the screen. Because Selick remains true to the novel’s spirit, the film rises far above being a mere novelty.

Miss Spink and Miss Forcible
Like in the novel, the tone is ominous—the Other Mother demands unconditional love from Coraline as well as her soul. But nothing’s scary in this adaptation, except, perhaps, the sight of Miss Forcible reliving her stage act as Venus, wearing nothing but a G-string and pasties. For pure creepiness, read the graphic novel version of the story (HarperCollins, 2008).

Most importantly, Selick doesn’t sugarcoat the story. There’s still no place like home, even if your parents are narcissists. And if the thought of wearing those special 3-D glasses is giving you a headache, the sights you’ll see will more than make up for any discomfort.

Directed by Henry Selick
100 min.
Rated PG
All photos: LAIKA, Inc.

 

 



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