Grades 5 & Up

Gr 4–8—On the night that Chancey is born, a comet streaks across the sky, a sign that a horse of great beauty and wisdom has been born. However, it seems unlikely that the Appaloosa will fulfill this prophecy. He is albino and his lack of pigmentation is not only considered unattractive, but also leads to serious health problems. He works as a school horse for many years, teaching children how to ride, but when his owner has a financial crisis, Chancey is left in a field and neglected for months, before finding a new life at Mrs. Maiden's Maury River Stables. In his old age, Chancey learns to love and trust again as he bonds with his new rider, Claire, a girl who has also suffered loss. When his deteriorating eyesight makes it impossible for him to jump in competition, he embarks on a new career as a therapy horse. He and Claire meet a young boy who has terminal cancer, and they work together to give Trevor the experience of being a champion. Narrated by Chancey, the novel has many details about equine behavior and horsemanship that lend authenticity, although there are a few awkward moments when these descriptions interrupt the flow of the narrative. However, the story is compelling, and the chapters about Chancey's work as a therapy horse are particularly moving, especially the one relating the culmination of his work with Trevor. A highly enjoyable read.—Kathleen E. Gruver, Burlington County Library, Westampton, NJ

Gr 4–8—Appelt brings Southern Gothic to the middle grade set. Three separate but eventually entwined stories are told piecemeal. There is the tale of an abandoned, pregnant calico cat who finds shelter and friendship with the bloodhound, Ranger. He is the abused and neglected pet of Gar Face, a broken-jawed recluse who lives in the Texas bayou, where he fled 25 years previously to escape an abusive father. And finally there is the story of Grandmother Moccasin, a shape-shifting water snake who has lain dormant in a jar for a thousand years, buried beneath a loblolly pine tree. The threads are brought together when Puck, one of the newborn kittens, breaks the rule of straying from the safety of The Underneath, the sliver of space beneath Gar Face's porch where Ranger is chained and the cats live. The pace of this book is meandering, and there is a clear effort by the dominant third-person narrator to create a lyrical, ancient tone. However, the constant shift of focus from one story line to the next is distracting and often leads to lost threads. Small's black-and-white illustrations add a certain languid moodiness to the text. Themes of betrayal, hope, and love are reflected in the three stories, but this is a leisurely, often discouraging journey to what is ultimately an appropriate ending.—Kara Schaff Dean, Walpole Public Library, MA

Gr 5–8—Those precocious art sleuths Calder, Petra, and Tommy are back, and this mystery is every bit as intricate, engaging, and delightful as Chasing Vermeer (2004) and The Wright 3 (2006, both Scholastic). The three seventh graders go with their class to an exhibit of Alexander Calder's mobiles at the Museum of Contemporary Art in Chicago. Soon after, Calder and his father travel to a remote village in England that has an anonymously donated Calder sculpture, the Minotaur, and a maze at Blenheim Park. Both the boy and the sculpture disappear on the same night. Balliett's love of words and her ability to tuck hidden, subtle clues into her story are evident throughout. Petra and Tommy fly to England to help Calder's dad and the police find their friend. The kids see mobiles everywhere: in the leaves, flying crows, paper trash. Indeed, the whole story is structured as a mobile, with plot and characters twisting and turning, moving and dancing around each other. The young sleuths are able to take what seems to be chance and coincidence and apply their own conclusions to the puzzle wrapped inside this mystery. Balliett's wonderful writing is full of foreshadowing, literary allusions, wordplay, and figurative language. Calder's signature yellow pentominoes play an important role, and the kids create a new code. Helquist's detailed illustrations enhance this multilayered story. Fans of the author's previous novels are in for a treat in this latest adventure.—Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME

Gr 4–7—Detective stories derived from the adventures of Sherlock Holmes are well represented in juvenile literature from Donald Sobol's "Encyclopedia Brown" series to Nancy Springer's "Enola Holmes" mysteries. Welcome 12-year-old Xena Holmes and her brother, Xander, Sherlock's great-great-great grandchildren, newly arrived in London from Florida. They are playing a favorite game, guessing people's occupation by appearance, in front of their hotel when a strange man delivers a note written in disappearing ink directing them to the Dancing Men Pub. There, through a set of tests, their famous relative is revealed to them, and they are given his "Unsolved Cases" notebook. Xena, intrigued by it, soon finds a case with modern relevance—a missing portrait by Nigel Batheson, whose other works are being displayed in a nearby gallery. The siblings are off and running through a plot laced with references to the original stories and using similar devices, including a red herring. The main characters are observant, bright, and gifted with powers of deduction. Watson's great-great-great grandson, Andrew, is integral to the plot. Some clues seem to be obvious, but they can lead to a wrong conclusion. A well-paced beginning to a new series.—Kathryn Kosiorek, formerly at Cuyahoga County Public Library, Brooklyn, OH

Gr 4–6—In this evocative debut novel, 12-year-old Lily Mathis has attempted to remain invisible to the 117 residents of Olena, IL, since the death of her brother. For two years she has not spoken a word to anyone, not to her dad, or the kids at school, or the general-store owner Fern, who keeps talking to her even though the child doesn't respond. Lily has been swallowing a secret that has burdened her ever since Pete died, but it's hard, especially after Fern's grandniece moves to town. Tinny has her own secret: she tells lies and steals from Fern, and she catches Lily up in a dangerous intrigue that threatens to harm them both unless Lily can break her silence and speak the truth. The story unfolds in alternating chapters of past and present, slowly unveiling Lily's adoration for her big brother who loved old cars and gangster movies and running through the cornfields at night, leading inevitably to the present-day climax that brings resolution to both girls' problems. Throughout the well-developed plot is Olena, where the drone of the cicadas and the rustling of the cornstalks mingle with the daily conversation of the people. The story is believable because not much happens in this small town, so when tragedy strikes, or strangers appear, or a child goes missing, it is the town that feels it, not just the individuals involved. One part memory, one part mystery, and a generous dose of atmosphere make this the kind of satisfying read that Summer Reading is all about.—Teri Markson, Los Angeles Public Library

Gr 3–6—First published in 1911, Burnett's tale of burgeoning self-awareness, newfound friendship, and the healing effects of nature is presented in an elegant, oversize volume and handsomely illustrated with Moore's detailed ink and watercolor paintings. Cleanly laid-out text pages are balanced by artwork ranging from delicate spot images to full-page renderings. The outdoor scenes are beautifully depicted, presenting realistic images of animals and flowers, with the hues gradually warming in sync with the story's progression from winter's browns and beiges to the lush colors of spring. The young protagonists—lonely Mary Lennox; her sickly and spoiled cousin, Colin; and likable local lad Dickon—bound to life in the evocative paintings, which reflect the wonders of transformations in both nature and in a child's heart. All in all, a lovely interpretation.—Joy Fleishhacker, School Library Journal

Gr 9 Up—These four short stories center on falling out of love. The first story dumps stereotypes on their ear by featuring a romance rocked by a high school junior who is reluctant to "go all the way" with his gorgeous girlfriend. The second has a fantasy twist—a teen's head injury allows her to "hear" the thoughts of others, and it is readily apparent that there is a huge disconnect between her boyfriend's thoughts and what he says. The third selection is told in verse, revealing a girl's coming to terms with the changes she has made in herself to please her new boyfriend. Finally, the last features a lesbian relationship ruined by the fear of being outed. None of these stories is outstanding, but as a collection, they work well together. Basically, they're like reading only the most exciting parts of a chick-lit novel and leaving all the extraneous narrative behind.—Leah Krippner, Harlem High School, Machesney Park, IL

Gr 7 Up—Phoebe Castro is a distance runner who plans on winning a full-ride cross-country scholarship to USC with her two best friends. Then her mother returns from a family reunion abroad with a Greek fiancé who runs a private school and announces that she and Phoebe will be moving to an island in the Aegean. The news gets worse as the teen arrives to find out that there is no scheduled ferry service from the island. To top off everything, she learns that every other student is descended from one or more Greek gods. Her new stepfather tells her that she cannot share this fact with anyone, for the safety of everyone on Serfopoula. Things seem to be looking up when she meets an absolutely gorgeous guy while running on the beach and, despite her lack of divine ancestry, she is granted a provisional place on the cross-country team. The IMs fly back and forth between Greece and southern California, magical hijinks abound, and classes and practice keep the protagonist busy. The story is part "Harry Potter," part Rick Riordan's The Lightning Thief (Hyperion/Miramax, 2005), and part shojo, and it will keep teens, particularly girls, reading to find out if Phoebe will finally fit in, get her crush, and make the team.—Eric Norton, McMillan Memorial Library, Wisconsin Rapids, WI

Gr 9 Up—Beginning with a startling scene in which newly successful German pop star Mira M. is discovered floating face down in an aquarium, her body seeping blood from small holes the resident eel has bitten into her skin, this novel is a dramatic view of the fast-paced music scene in Hamburg. As a child, Mira was smuggled from Croatia to Germany in a guitar amplifier case by her uncle. As a runaway teen, she was befriended by another young homeless girl who later helped rescue three stowaway Ghanaian refugees from a shipping container on the Hamburg docks. This circle of friends grew to include Zucka, a young man from a more conventional background. His music-producer father helped first Melody, one of the girls from Ghana, and then Mira rise to fame. The author's depictions of Melody's growing jealousy as her failing career was supplanted by Mira's newfound success and Mira's reluctance to embrace fame with its accompanying interviews, clamoring fans, and grueling touring schedules give readers insightful glimpses into the friends' complex relationships. Using the aquarium as a symbol for the "fishbowl" lifestyle Mira struggles against is effective, as is the use of different typefaces to indicate portions of text being spoken by the dead girl or by other characters as they look back on events leading up to Mira's death. The labeling of chapters as if they were tracks on a CD is another constant reminder of the music scene. Older teens will find this a fascinating account of an aspect of contemporary European culture that has many parallels in the U.S.—Ginny Gustin, Sonoma County Library System, Santa Rosa, CA

Gr 7 Up—Spending two weeks touring middle America with her family and a busload of senior citizens is not 16-year-old Ariel's idea of a fun summer vacation. As if this weren't punishment enough, her mother has implemented mandatory quality time, which means no cell phones, email, or iPods. Luckily, Ariel can periodically escape by writing postcards to her boyfriend, Dylan, who is at camp and by talking to Andre, an attractive fellow traveler. Dylan misspells her name and says that "whatever happens on the road stays on the road," two big clues that he's not worth the trouble. Through the course of the trip, it becomes clear that Ariel's boyfriend woes pale in comparison to the breakdown of her family. Her parent's marriage has been torn apart by her father's gambling addiction, which has also bankrupted them. Ariel's mother uses the bus trip to buffer the news that she wants a fresh start with her children in a new town. Typical reactions of disbelief and anger follow. Through her wallowing, Ariel begins to see that avoiding problems is not the answer, despite the allure of running away with Andre. The overriding message is clear: life takes you to unexpected places, and sometimes what's best for you isn't the easiest road to travel. Humorous postcards interspersed throughout cleverly hint at Ariel's emotional growth, yet shallow characters and a slightly forced plot keep this book from being anything more than superfluous chick-lit.—Erin Schirota, Bronxville Public Library, NY

Gr 9 Up—Libby is used to moving from state to state following her father's downward spiral of temporary employment. Rubberville contains the usual factories, discouraged neighbors, and hardscrabble life. But this time Libby makes a best friend right away. Angie-brassy and seemingly fearless—looks a lot older than Libby, although they will both be high school freshmen in the fall. There's a lot about Angie to disturb readers, such as the way she forces Libby to stand too close to an oncoming train, but Libby is smitten with her. She does pick up on the creep factor in Angie's stepfather, who is both menacing and flirtatious. When she stumbles on them having oral sex, she is thrown off-kilter. Should she keep silent to protect her friend, which is what Angie asks her to do, or tell and get help? The best-friend-of-the-abused trope has become a fixture of YA literature. What makes this book stand out is not literary quality but the gritty and honest exploration of Libby's confusion about sexuality, coercion, friendship, and power. Honest, too, is the portrayal of Angie, a girl who has had to develop extreme defenses to survive and who is so in need of love that she can't distinguish between nurture and exploitation. Angie is no pitiful victim, thankfully, but rather a tough, damaged girl who has learned to survive. The struggles and warmth in Libby's own family provide a contrasting sense of normalcy.—Carolyn Lehman, Humboldt State University, Arcata, CA

Gr 9 Up—A hurricane forces Miranda Barnes and her mother to relocate from Florida to the small bayou town of St. Yvette, LA, where they are taken in by Miranda's aunt and the grandfather the teen has never met. Miranda wants nothing more than to be left alone, but she is thrown immediately into a school project with cocky jock Parker, his cheerleader girlfriend Ashley, Goth girl Roo, cute Gage, and mysterious Etienne. Even worse, her nights are disturbed by unearthly screams. It turns out that Miranda has inherited Grandpa's talents as a medium, and his sudden death forces her to continue his work. She attempts to unravel the tragedy of a Civil War-era love story while helping her classmates put together a "haunted history" tour of the town, making a few tentative sparks with Etienne along the way. While the setup is promising, Cusick's supernatural romance doesn't generate much mystery or passion. The playful banter and innuendo among the teens is entertaining (if occasionally misplaced), but the rapidity with which most of Miranda's new friends accept her psychic abilities is unconvincing. Those who like their love stories spiced with the paranormal should stick with Stephenie Meyer's "Twilight" series (Little, Brown).—Christi Voth Esterle, Parker Library, CO

Gr 6–8—Twelve-year-old Polly is beset by trouble in her rural Idaho home. Her parents have divorced, and her punk and probably pregnant older sister, Bree, has run away. Her former friend's father is bulldozing the majestic larch trees of the old forest to "make the woods more accessible" to rich dwellers in a new gated community. But, Polly can see auras; understands the herbal teachings of her New Age grandmother, Baba; and uses her talents as best she can to forestall the inevitable destruction. Believing Bree is hiding in the forest, she leaves offerings throughout the winter. Herbal teachings—some dangerous, with warnings for would-be experimenters—begin each chapter. But Baba uses herbal teas to drug Polly's overwrought mother several times, and with few exceptions, adults behave abominably and stupidly. The natural details may ring true but the stereotypical narrow-mindedness of the rural community is unchallenged and the New Agey tone will put off many readers.—Susan Hepler, formerly at Burgundy Farm Country Day School, Alexandria, VA

Gr 6–8—Set in a tough, crime-ridden housing project in Glasgow, this novel opens with 12-year-old Jake Drake getting kicked in the groin and mugged twice in 10 minutes, losing the money meant to buy his Gran's food. Jake and his friends decide they have had enough and will fight back against the local crime bosses by creating a fake gangster, the Big Baresi. By spreading rumors of this biggest, baddest thug ever, the con works, but soon things spiral out of control. A lot is going on in this novel: Jake and his buddies steal an 18-wheeler full of sumo suits and get in a gunfire battle with corrupt police; an ex-convict looking for $3 million in diamonds returns to the project; the boys steal $20,000 that then is stolen from them; and, finally, they steal an ice-cream van. All works out in the end, with Jake being instrumental in getting the community center rebuilt so that residents young and old have a place to gather. The end is set up for the reappearance of the Big Baresi in a sequel. The theme of kids taking control and showing adults how to make things better is a good one, although the means the characters employ to do so are questionable at best. While humorous in tone, there is much that is crude and objectionable here. Preadolescent boys will no doubt giggle over Jake's flatulent Gran, whose "butt trumpeting" is renowned. But fighting, belching, and farting on nearly every page gets a bit old.—Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME

Gr 5–7—Readers are reintroduced to Tim Malt and his lovable dog, Grk, in this third mystery. The adventure begins when the British 12-year-old escapes from his mother's watchful eye at Kennedy Airport as they're about to head home. Tim has been visiting New York City with his parents and his friends Natascha and Max. The fast-paced action begins when a billion-dollar statue known as the Golden Dachshund is stolen. Years earlier, after the revolution in Stanislavia, King Jovan's parents fled to New York with it. The statue now belongs to their son, King Jovan, and Queen Rose, who have finally agreed to put it on display at the National Museum. While at the airport, Tim remembers a conversation he overheard at the museum and heads back to the city to follow up on a clue. Readers become involved with his escapades as the suspense builds, even though Tim's travels around New York by himself, without any money, seem rather implausible. He convinces the adults he meets to help him without really knowing him or what he is about. His wit and calm reasoning help him to survive as he solves the mystery for the NYPD. This story should appeal to all who love dogs and a good mystery.—Margaret R. Tassia, Millersville University, PA

Gr 4–7—Orphaned, 11-year-old Jeremy Cabbage lives at Harpwitch's Home for Mean Dogs, Ugly Cats, and Strey Children, and his only chance to escape the owner's cruelty is to be adopted. Along come Bo and Ba, husband and wife cloons (people with a rare genetic condition that transforms them into clownlike individuals complete with a round red nose, extra-large feet, an outlandish personality, and a penchant for happiness and goodwill), who take him home. Bo and Ba's family and the circus community in which they live are filled with caring, loving people. However, the cloons are outcasts in Metropolis where the intolerant Baron Ignatius von Strompié rules by dictatorial decree and has set his mind on banishing the so-called "flock of freaks." To vex him further, someone continues to spray paint the annoying words "Down with the Baron" around town. But the real trouble begins when the Baron learns that a cloon couple has adopted a normal boy. Suddenly the spotlight turns on Jeremy, and his blissful new life is in danger of being destroyed. This comical story promises to delight while delving into such serious topics as child homelessness and a need for belonging. That being said, it is worth noting that some readers might find the generous doses of flashbacks challenging, and the simple resolution of a deliciously malevolent antagonist is disappointing. The rest of the unique characters make their pieces of the puzzle fun to read.—Robyn Gioia, Bolles School, Ponte Vedra, FL

Gr 4–6—In this good-versus-evil story, a prequel to Swordbird (HarperCollins, 2007), readers see a legend taking shape as evil forces attempt to conquer the inhabitants of a bird world. Prophecy says a hero will emerge on Hero's Day, but no one knows who it will be. Scattered in unknown regions of the world lay strategically placed Leasorn gems that hold clues to where the hero's sword waits. It is up to the hero to discover where and to retrieve it. The archaeopteryxes, an army of birds intent on cruelty and destruction, support the desires of the villainous leaders. Maldeor, a leader with a batlike wing forged from evil magic, has cast his eye toward claiming the sword. But unlikely birds lay down their lives to uncover the clues so they might save the sword for its true master. Fleydur, eagle prince of the Skythunder tribe, Stormac the mynah, and Ewingerale the woodpecker all play pivotal roles as companions to 013-Unidentified, a dovelike bird trapped as a slave. Readers will find the characters credible and well suited for their roles in this fabled adventure. The tightly crafted story line is nicely executed, but the most important element, and one that truly touches the heart, is the underlying theme of love.—Robyn Gioia, Bolles School, Ponte Vedra, FL

Gr 5–8—This sequel to Ferris's beloved Once upon a Marigold (Harcourt, 2002) shifts its focus from Christian and Marigold to one of the less-savory characters. At the end of the first book, the evil-plotting Queen Olympia falls into a river, allowing everyone else to live happily ever after. Now, she has arrived downstream in Granolah and, suffering from amnesia, starts a new life as "Angie." It's only when she snaps out of it and wants her throne back that trouble starts. With her friends as her companions, she treks back to Beaurivage, resumes her reign, and jails King Swithbert and Ed, the troll who raised Christian. When Marigold realizes what has happened, she cooks up a plan with Christian, her father, and Ed. But just as they've deposed the queen, Olympia turns back into Angie. Realizing they're much better off with Angie, they bring in a wizard to rid her body of any traces of Olympia, and the whole kingdom returns to its happily-ever-after mode. In focusing on Olympia and introducing a plethora of new minor characters, Ferris moves away from what was so endearing about the first book: Marigold and Christian. Throughout this one, they are settling into marriage and bickering, which becomes monotonous. Still, the sequel shines in its more witty moments, as when Marigold discovers knock-knock jokes. Fans of the first title will surely want to read this novel, but it does not stand alone.—Jennifer Barnes, Homewood Library, IL

Gr 7 Up—Yuri's grandmother watched the Czar fall; his parents jumped on the revolutionary bandwagon. Yuri has spent his life celebrating the Five Great Leaders, marching in their honor and singing the praises of his country, but things are changing. People live in fear. Five leaders are whittled down to one. Yuri can see what's happening. He's a smart boy, and it's that smart tongue of his that finds him on the run from the police, trying to survive in the endless, cold steppes. After finding a new home, he soon lands in a mining camp in the far north, sentenced to 10 years for another slip of the tongue. Though Yuri faces many trials and hardships, his actions and narrative voice remain at a static level of maturity, feeling too old for the early Yuri and too young for his hardened self. This makes it even more difficult to connect with the free but merciless protagonist readers are introduced to in the final pages. Fine, known for the comedy of Madame Doubtfire (1988; o.p.) and the seriousness of The Tulip Touch (1997, both Little, Brown), does portray a desolation, cold, hunger, and hardship that vividly bring the story to life. This dark look at an alternate Russia under a totalitarian government is in the dystopian vein of Ann Halam's Siberia (Random, 2005) and Pete Hautman's Rash (S & S, 2006). A good segue into discussions of both historical Communist Russia and modern society.—Cara von Wrangel Kinsey, New York Public Library

Gr 5–8—Will and Evanlyn have escaped imprisonment in Skandia and are hiding out in a remote cabin, waiting for Will to gain enough strength to begin their journey home. Their peace, however, does not last long, as Evanlyn is kidnapped by a Temujai warrior. Halt, the Ranger to whom Will is apprenticed; Horace, a knight in training; and Will rescue her, but are intercepted by Skandians before they can continue home. The Temujai are advancing behind them, leaving Will and his friends to form an uneasy alliance with the Skandians. The tension builds to the final battle between the Temujai warriors and the Skandians. Fans of the series will eagerly devour this one and wait impatiently for the next. Readers who aren't familiar with the previous books would do best to start with the first one, but those who choose to start here won't be lost. A sure bet for fantasy fans, as well as those who enjoy action and adventure.—Ginny Collier, Dekalb County Public Library, Decatur, GA

Gr 5–9—In this sequel to Stoneheart (Hyperion, 2007), George, 13, Edie, 12, and the Gunner continue to flee from the Walker, a man cursed to walk the Earth forever, and from "taints," evil, soulless statues. George has accidentally upset the balance in this alternate London, a place where statues can get up and roam. Edie is kidnapped by the Walker, who wants to use her talents as a "glint," someone who can touch stone or metal and see into history, and to lure George into his malignant grasp. Meanwhile, the Walker has also dumped the Gunner, a World War I statue and self-appointed protector of the children, into the depths beneath the city. If the Gunner cannot return to his statue base by midnight, then he will never walk off his plinth again. George, alone and confused by his new status as a potential "maker," someone with the ability to create statues, sets out to rescue Edie and keep the Gunner from losing his "life." Ironhand is a well-written, fast-paced, and suspenseful fantasy. Fletcher successfully draws readers in with action and a continuously developing backstory for each of the characters. However, though the author includes a brief overview of the first book, this one does not stand on its own.—Jessica Miller, New Britain Public Library, CT

Gr 6–9—In this sequel to Nobody's Princess (Random, 2007), the future Helen of Troy and her friend, the former slave Milo, join Prince Jason and the Argonauts on the quest to gain the Golden Fleece. Helen, disguised as a boy, is faced with trying to keep her identity secret from her brothers, who have also joined the quest. Her true gender is revealed when she gets her first period, so she claims to be the warrior Atalanta, a figure from the first book. When the crew of the Argo reaches Colchis, Helen meets Princess Medea, presented as a sinister and scheming figure. As Helen travels back to Sparta, she is captured by Theseus of Athens, who wants to marry her, and she needs to use both her strength and her wits to escape. Readers familiar with legends about Jason and Helen will enjoy finding familiar adventures and themes, while readers new to these myths will appreciate Friesner's detailed vision of ancient Greece. Characters are given depth and flaws, such as Jason's self-centeredness and Herakles's stretching the truth. Details about food and customs of the time are woven into the story. Helen's determination to choose her own future will resonate with modern teens, who will also appreciate her resourcefulness and determination to help those who help her. A solid choice for fans of Rick Riordan's "Percy Jackson and the Olympians" books (Hyperion/Miramax).—Beth L. Meister, Pleasant View Elementary School, Franklin, WI

Gr 5–8—When a diamond willow's bark is removed, sanded, and polished, it reveals reddish brown diamonds, the dark center of which are the scars of missing branches. Frost has used this image to craft an intricate family story in diamond-shaped verse. In her small Alaskan town, 12-year-old Diamond Willow, named for the tree, prefers to be just "Willow" but muses that if her parents had called her "Diamond," "…would I have been one of those sparkly kinds of girls?" Instead she describes herself as an average, part-Athabascan girl with one good friend, who finds herself more comfortable around her family's sled dogs than with people. Her story takes a heartrending turn on a solo dogsled trip to visit her grandparents, and Willow is soon caught up in an intense adventure that leads to the discovery of a family secret. As she unravels the truth, Willow comes to understand the diamonds and scars that bind her family together. She also gains awareness of her own strength and place in her community. Willow relates her story in one-page poems, each of which contains a hidden message printed in darker type. At key intervals, the narrative is continued in the voices of her ancestors, who take the form of animal spirits—Red Fox, Spruce Hen, Mouse, Chickadee, Lynx—and her sled dogs. Frost casts a subtle spell through innovative storytelling. Her poems offer pensive imagery and glimpses of character, and strong emotion. This complex and elegant novel will resonate with readers who savor powerful drama and multifaceted characters.—Marilyn Taniguchi, Beverly Hills Public Library, CA

Gr 8–10—Tack, 15, lives in a dystopian society where a corrupt government oppresses its citizens, starting when they are students. A group of young resistance fighters called the Truancy violently strikes back against the system. Tack joins the movement after his sister is accidentally killed in a Truancy attack on a government official. His intention is to murder its leader in revenge, but he finds himself drawn into the group's philosophy and is torn between wanting to bring down the government or destroy the ferocious resistance. This hefty novel is not unlike an action movie or video game. It starts fast and barrels on with not one subtle moment. It is full of elaborate, graphic fights. The characters are amazingly skilled in a wide variety of unbelievable ways. Described as "kids" or "children," they are nonetheless portrayed as expert assassins, brilliant tacticians, even world-weary bartenders. Readers are beaten over the head with how evil the government is, how oppressed the students are, how unsympathetic adults are. According to the back cover, the author wrote the book "in one month the summer of his fifteenth year." He shows a lot of promise, but more experience, in life and in writing, might greatly improve his style. While Truancy may be popular with some readers who feel as though adults don't get them and school is oppressing them, it is a strictly additional purchase for robust SF collections.—Geri Diorio, The Ridgefield Library, CT

Gr 6–9—Honey and Agnes are 14-year-old best friends growing up in the Mount Blessing religious commune near Fairfield, CT, but are polar opposites in their adherence to the "Four Big Rules" that govern daily life. Honey, abandoned at the commune as a newborn, is a perpetual rebel, having most recently been sent to the Regulation Room for kissing a boy. There, the group's founder/leader, the charismatic Emmanuel, metes out punishments. Agnes is a self-described "saint wannabe." She starves herself, sleeps on stones, and wears a cord tightly belted under her robe as reminders of the suffering endured by the saints. The girls share a love for Nana Pete, Agnes's father's mother, and live for her annual summer visits. When Nana discovers the physical and emotional abuse imposed on the children, she resolves to spirit them away. Honey is a willing runaway, but Agnes is reluctant. The kids' new reality includes "firsts" such as visits to McDonald's and Wal-Mart. Their route ends in Georgia, at the home of Agnes's estranged aunt. In the realistic and emotionally charged climax, family ties are revealed and, thanks to Honey's forethought and Agnes's new understanding that the truth can set you free, the cult is soon busted, police lights flashing. If both girls occasionally seem wise beyond their years, readers will nevertheless cheer them on as they ponder the limits of faith and duty.—Joel Shoemaker, Southeast Junior High School, Iowa City, IA

Gr 6–8—A remarkable debut novel. Cat is a streetwise orphan living in the Drury Lane Theatre in 1790s London. Her budding friendships with violin prodigy Pedro, a former slave; two teenage members of the aristocracy; and the theatre's mysterious new prompter are put to the test when she agrees to help safeguard the hidden treasure of the title. Golding's fast-paced story abounds with atmosphere and adventure as Cat struggles to prevent the vicious leader of one of Covent Garden's street gangs from finding the diamond. Along the way, she experiences a taste of political intrigue and begins to wonder what her future holds. The author's liberal use of late-18th-century phraseology adds charm and color to this first-person tale, which is aided by a glossary in which the likable heroine explains each term. Cat and her friends are wholly three-dimensional, although some of the novel's minor characters are stereotypes. Readers will likely be too captivated by the charming prose, exciting plot, and Cat herself to notice this minor flaw.—Leah J. Sparks, formerly at Bowie Public Library, MD

Gr 6 Up—Matisse Osgood is a Manhattanite with a superiority complex. When her father's illness necessitates a move to rural, upstate New York, she drips with contempt for her new town and its residents. Her initial reaction to her new high school is a bit clichéd as she surrounds herself with attitude and befriends the most radical and outrageous of Prague's students. But, after making a bad choice in a boyfriend, taking on the clique and emerging triumphant, and winning the respect of the entire school, Matisse becomes a likable, open-minded young woman. The story offers a change from the typical heartbreaking or depressing teen novels, but the ending is almost too good to be true. Still, the story provides a safe and positive alternative to teens who are hoping for happy endings in their own lives.—Debra Banna, Sharon Public Library, MA

Gr 8 Up—Bianca has been uprooted from her happy, uneventful life to start anew at an elite boarding school where her parents will now be professors. Even though Bianca doesn't feel that she is the Evernight type—rich, beautiful, or gifted—she knows that her parents feel this is best for her. She and Lucas Ross share a special connection from the moment they meet and he, like Bianca and a few others, is an outsider. He is a rebel who is on a mission to discover the secret behind Evernight Academy. As the weeks progress, their relationship heats up. What they don't realize, however, is that they each harbor a great secret that could divide them forever. Can their love survive the truth? Gray's writing hooks readers from the first page and reels them in with surprising plot twists and turns, and the open ending will keep them guessing and waiting on the edge of their seats for the next book in the series. A must-have for fans of vampire stories by Amelia Atwater-Rhodes, Stephenie Meyer, and the like.—Donna Rosenblum, Floral Park Memorial High School, NY

Gr 5–8—In this novel by a former NFL star, middle schooler Ty Lewis is going through a tough time following the death of his parents. He has been taken in by his aunt and uncle, but they treat him badly, dressing him in hand-me-downs, making him sleep on a mattress on the floor of the laundry room, and forcing him to use a portable toilet in the backyard even though there is a bathroom in the house. Ty is having problems at school as well, where his appearance, social status, and bookishness lead to his being bullied. Through all his troubles, he is buoyed by his faith in his older brother, who is an All-American college football player soon to sign a lucrative pro contract. Ty has his own dreams of football glory after being recruited by the middle school coach, who has noticed that Ty is the fastest boy in the sixth grade. His plans are derailed, however, when his uncle makes him work after school in his cleaning business. After Thane signs his pro contract, Uncle Gus's organized-crime associates press Ty for inside information on injured players on Thane's team, which he innocently supplies. This gets both brothers in trouble with the FBI, but they cooperate with authorities and all ends well. While there are some implausible elements (including Ty's overpowering a crowbar-wielding mafia hitman), the novel is briskly paced and undemanding, and might be a good bet for sports-minded reluctant readers.—Richard Luzer, Fair Haven Union High School, VT

Gr 6–8—Reminiscent of Louise Rennison's Angus, Thongs, and Full-Frontal Snogging (HarperCollins, 2000), this follow-up to Harrington's Four Things My Geeky-Jock-of-a-Best-Friend Must Do in Europe (Darby Creek, 2006) is sure to please fans. Delia must keep a poetry journal that no one will ever read for her freshman English class. This is where she divulges her secret love for her superjock best friend Brady's Euro-hottie boyfriend, Giulio. No problem; according to the Internet, the average teen relationship lasts 34 days. She can just wait it out. In the meantime, she keeps score for the football team, helps Brady figure out why she can't hit the baseball, dresses like Rogue from X-Men for Halloween, and attracts meathead football players because of her new push-up bra. Delia is solid and likable, and her voice is less self-absorbed and melodramatic than Georgia's. She resorts to humor when thinking becomes too much work, and her teen-drama observations are laugh-out-loud funny. Harrington incorporates just the right amount of adolescent lingo and technology. Side characters, like Brady and Giulio, are well developed, and the plot rescues itself from becoming mushy with clever wordplays. This is a fresh take on teen romance. Expect readers to beg for the next installment.—Richelle Roth, Wilmington Public Library, OH

Gr 6–8—In 1874 England, orphaned Jago works the street entertainment circuit with his dissolute uncle. While he resists thievery for its own sake, he's not above lifting an item or two—especially if the audience doesn't show proper appreciation for the pair's performances. Then he finds a gold watch with a mysterious message tucked inside—"I know what Armbruster did." He meets a desperate servant girl who fears that her mistress is being swindled out of South American treasure. When his uncle is murdered in cold blood, Jago suspects that the watch is the key to both crimes. He stows away on a ship bound for the New World, pursued by the menacing Armbruster, but is he the only one Jago has to fear? Dickensian in every sense of the word, the story combines grimly realistic depictions of Victorian street life with fascinating characters—sinister and comical ones alike. Jago himself recalls Dickens's Artful Dodger, although he has a stronger, if highly individualistic, moral code. The complex plot is full of unexpected twists and hairbreadth escapes, and the dialogue rings true to the period. An exciting choice for historical fiction fans.—Elaine E. Knight, Lincoln Elementary Schools, IL

Gr 4–7—Jessye loves living with Nana, her father's mother who teaches her the chants and songs she needs to know to understand her Maori heritage. She also likes her life with her flighty, city-dwelling non-Maori mother—until her mom finds a new boyfriend and begins to drink too much, leaving Jessye trapped in the complicated role of caregiver. While navigating the rocky and sometimes mysterious relationship between her mother and her grandmother, Jessye is determined to uncover some family secrets: Why will no one talk about her father? Is the Maori story about an angry river spirit true, and does it hold some clues to her father's disappearance? By the end of this coming-of-age story, Jessye's daring act of bravery assures her a place within her Maori family. She realizes that, while she will always love her mother and looks forward to visiting her during holidays, she belongs by the river with her father's family. This time, when she goes back to Nana, she does so knowing that she has made a difficult but correct choice. The natural-sounding first-person narrative draws readers into a story of a girl learning to make sense of all the strands that make up her life and heritage.—Ellen Fader, Multnomah County Library, Portland, OR

Gr 9 Up—Theresa's neighbor James has a huge, unrequited crush on her. Theresa loves Randy, who keeps breaking up with her. At a party, she uses James, with his permission, to make Randy jealous. It works: he takes her back, but James leaves the party and drives off a cliff. Convinced she is responsible for his death, Theresa runs away from home, takes on a new identity, and becomes involved in the troubled life of the young girl next door. Her involvement with this child runs deep enough to entwine their lives, and myriad difficulties ensue. When Theresa takes on her new identity, the perspective shifts (first person to third person). This is a bit gimmicky, but it does convey the teen's emotions in trying to escape herself. The author is ambitious and attempts to cover a lot of ground. Theresa has a lot on her plate just trying to deal with her own issues, but by adding abused children, Hyde complicates the protagonist's healing process immensely. Although the teen does grow and has a major turning point, it feels rather forced. The book is filled with snappy, sarcastic, sitcom dialogue and stock characters—the confused teen, the user boyfriend, the tough kid with the soft center. Still, the pacing is brisk, and the story is edgy and bold, with drinking, smoking, runaways, sexual banter, flirting, and murder. Older teens will be captivated, and the cover does a terrific job of selling the book.—Geri Diorio, The Ridgefield Library, CT

Gr 6–9—In Evil Genius (Harcourt, 2007), Cadel Piggott used his amazing brain for crime, and lived to regret the results. In this entertaining sequel, he joins a secret group of computer whizzes working on a more constructive, but still dangerous project. While using his hacking skills and forging friendships, he tries to steer clear of his notorious father, who threatens his safety even from prison. The first half of the book focuses on setting up elaborate schemes and establishing characters, and the details slow the plot down a bit. Action really picks up in the last 100 pages or so, though, as Cadel and the people he loves the most are endangered by his father. Readers who relished the complex plotting, sharp characterizations, and technological intrigue of the first book will enjoy this one, which includes a shift in atmosphere that gives this installment a slightly different flavor. Having rejected the destructive philosophy of his tutor/father, Cadel truly wants to do good this time. New relationships and powerful, sometimes conflicting, emotions affect the way he now applies his talents. As a character, he's less instantly engaging than he was in the first book, but ultimately more interesting. Fans of Evil Genius will have the easiest time catching on to the action, but others should be able to keep up. A satisfying ending answers some questions regarding Cadel's personal situation while setting the stage for a future showdown.—Steven Engelfried, Multnomah County Library, OR

Gr 5–10—Sheltered teenager Charmain Baker is sent by her domineering great-aunt to house-sit for a distant relative, the royal wizard. She finds that his residence has myriad magical rooms and hallways and soon learns that there is trouble in the seemingly peaceful kingdom of High Norland. The treasury is disappearing, and no one knows where the money is going. Princess Hilda invites Sophie Pendragon, the main character from Howl's Moving Castle (1986), to come help solve the mystery, with her husband, Howl, disguised as an annoying preschooler, and the fire-demon Calcifer. A lubbock, one of Jones's more threatening magical creations, and its offspring, the lubbockins, threaten the kingdom, and it's up to Charmain and her nascent magical talents—and her new friends—to save the day. A whirlwind conclusion sets all to rights and leaves Charmain ready to start life outside of her parents' shadow. Sophie and Howl play background roles here, as in Castle in the Air (HarperCollins, 2001), but readers will find Charmain much to their liking as she develops from a girl who is unable to take care of herself into a proactive and adventurous young woman.—Beth L. Meister, Pleasant View Elementary School, Franklin, WI

Gr 5–8—In her third appearance, 13-year-old Minerva Clark investigates a fire at a small family-owned grocery store in her hometown of Portland, OR. The blaze killed a tenant in an upstairs apartment. The police think it's an accident, but Angus Paine, the owners' teenage son, is convinced it is arson so he calls on Minerva for help. Unfortunately, she has no idea how to investigate this type of crime. Also complicating her life is her mother's second marriage. Several false leads confuse the young sleuth for a time and it is only after another fire erupts at her school and she discovers that Angus has some deep secrets that the truth comes out. Minerva is an interesting character—an electric shock has enabled her to solve crimes and endowed her with plenty of self-esteem. Readers who like Sammy Keyes will enjoy getting to know her. A subplot concerns her first venture into boyfriend/girlfriend status and the confused feelings that such a relationship engenders.—Terrie Dorio, Santa Monica Public Library, CA

Gr 9 Up—Three friends take a trip to Cancun for spring break in this novel about the dangers of trusting strangers. Told in the alternating voices of Michelle, the victim of assault and abduction, and her friend Anne, the story reads with the poetic lyricism of Francesca Lia Block and the thrills of teen-scream novels such as Lois Duncan's I Know What You Did Last Summer (S & S, 1998). When Michelle, Anne, and Terri land at the Hotel del Sol, they have different ideas of what they want from their vacation. Terri, a gorgeous blonde, disappears early in the novel to enjoy the benefits of the sun, sand, and drinking. Meanwhile, Michelle longs to take in Mexico's ancient temples and cultural history. Anne decides to follow her to the Mayan ruins. While there, the girls break one of the major rules their parents warned them about: don't take rides from strangers. The boys seemed like normal, American Midwestern teenagers but, when they drug Michelle's water, Anne quickly realizes that they are in a life-threatening situation. The story builds slowly, but readers who continue through to the end will find that the pace increases. An excellent choice for fans of the author's Boy Heaven (HarperCollins, 2006) and other teen thrillers.—Marie C. Hansen, New York Public Library

Gr 5–7—Phoebe is excited to be starting seventh grade. The aspiring actress is finally able to join Drama Club, a day she has been preparing for since elementary school. No more class plays but genuine productions with auditions. Then she discovers how much drama she has to endure before rehearsals start: mean divas, a crush, digestive malfunctions, and a rift between her and a friend. Despite all this, Phoebe perseveres and is disappointed to find herself cast in the Mission Choir in Guys and Dolls. Things only get worse when she finds out that everyone in the cast is expected to play spin the bottle. Phoebe's voice is funny and intelligent. She deals with teenage angst with flair and humor as she learns that staying true to yourself is more important than being popular.—Angela M. Boccuzzi-Reichert, Merton Williams Middle School, Hilton, NY

Gr 7 Up—Employing elements from "Cinderella," Lawlor's "fairy tale for all ages" will hold particular appeal for fashionistas and hair stylists. In a kingdom where "dos' [have] become so political and take the place of issues more critical," three conniving divas are frequent winners in the hair competitions, thanks to the talents of their orphaned servant, Giselle. Then the ruler raises the stakes, offering his crown as the prize in the ultimate contest. Lawlor's background in fashion illustration is showcased in the gatefolds and spreads that depict a continuous parade of characters created with over-the-top collages. The locks of a fur-draped Bavarian gent are adorned with pinecones, antlers, and a birdhouse. An ebony figure clad in leopard skin displays a carved elephant, recycled metal toys, and gourds amid his tresses. The heroine sports spunky ponytails while working, but on the big day her original (hairless) look sets her apart, winning the king's admiration. The thin plot, forced rhymes, and not-so-subtle message are problematic, but anyone attracted to the Arcimboldo-inspired images is likely to keep paging for sheer sensory stimulation. The exotic upsweeps rest atop Picassoesque faces, which are connected to sophisticated and, occasionally, slightly suggestive costumes. The visual extravagance is presented against uncluttered gilt, cream, or red surfaces. For graduates of Deborah Nourse Lattimore's The Lady with the Ship on Her Head (Harcourt, 1990), this picture book for older readers will confound catalogers, who will wonder where to shelve it. Perhaps, for budding designers, near old magazines-with scissors and glue?—Wendy Lukehart, Washington DC Public Library

Gr 10 Up—Just after college graduation, Elizabeth joins a summer theater troupe where she finds elusive love with Kurt, a pompous director, and deep friendship with her lanky, goofy colleague Ben. L'Engle revisits her own theater experiences at the beach in the 1940s, making this novel's salty breezes, musty shared quarters, and boardwalk burgers vivid. Beautifully unadorned language and fluid dialogue recall a bygone era that might feel foreign to modern teens. Even dated colloquialisms and social mores, however, cannot diminish L'Engle's magnificent rendering of a smart girl's guileless romantic missteps. Teens will cringe as Elizabeth swoons over Kurt and ignores the clear chemistry that she shares with Ben. They will quickly forgive her, as the young woman's unwavering sense of self, her heady belief in acting, and grounded acceptance of life's inequities make her a powerful, appealing character. The wonderfully simple, economic prose allows Elizabeth's revelations to shine with glimmering clarity, like moonlight on the ocean.—Shelley Huntington, New York Public Library

Gr 5–9—In this masterful fantasy told in two voices, Levine has created a mythology and society as rich and nuanced as the one portrayed in Megan Whalen Turner's The Thief (Greenwillow, 1996). Olus is the Akkan god of the winds, but he is hundreds of years younger than any of the other gods and, therefore, very lonely. He visits Hyte, a kingdom of humans, where he is intrigued by the beautiful and talented weaver and dancer named Kezi. Olus witnesses the events leading to her generous but reckless decision to offer up her life so that her father can keep the oath he's sworn to their god, Admat. He follows her, introduces himself in human guise, and the two fall in love. This is where the book deepens, even as the plot intensifies. Can Kezi love a god? Can she love a pantheistic god, even though she was raised to believe only in Admat? The nature of religious conviction and the tensions between different belief systems are questioned—but so deftly that readers are entertained by the arguments. With barely a month until Kezi becomes a human sacrifice, she and Olus search for a way to reconcile the need to honor her father's oath and their desire for one another. To prove themselves "champions," worthy of immortal life together, they each must endure a quest and face their deepest fears. The power of love and courage to overcome seemingly impossible odds and to bridge ostensibly untraversable differences are at the heart of this compelling, intensely satisfying fantasy.—Miriam Lang Budin, Chappaqua Public Library, NY

Gr 5–8—Gennadara and her brother, Danrith, live in the primitive village of Hillrush and are surrounded by danger. Like other humans, they can go out only in daylight, and they have an uneasy truce with the nightlings, creatures of the nearby forest who only come out after dark. All are ruled by Letrin, an arrogant and powerful being who lives in a kind of underground fairy mound. Genna and Dan's father is thought to be dead, and the children are terrified of their evil Uncle Banris, who conspires to marry their very ill mother. When the siblings sneak out at night to milk sap from the taandu trees to cure their mother, they are catapulted into a series of wild adventures involving a young nightling, a talking cat, magic moonroads, and plenty of beasties and ghoulies. They must find a young man named Doyati to save their family and the villagers from death at the hands of Letrin. While the book offers enough requisite fantasy elements—a seemingly impossible quest, plenty of magic, poetic language, and brave young protagonists—the plot twists need too much overt explanation to ring true, and the overly complicated fantasy structure sinks under its own weight. The nightling is an intriguing character, but her facile ability to smooth over difficulties strains credulity.—Quinby Frank, Green Acres School, Rockville, MD

Gr 4–6—Anna Smudge is an 11-year-old detective and shrink. She spends three-quarters of her time wandering from scene to scene meeting one unbelievable character after another. She lives in New York City, where she deals with typical kid issues—bullies, absent parents, and a healthy fear of dodgeball. Her problems get a little more complex as she is drawn into the mystery of who the villainous Mr. Who is, and then must fight to keep him from having her father murdered. Along the way she discovers she has a talent for listening and decides to become a "Professional Shrink." Her new vocation helps her to move up the social scale as well as solve the mystery. In the end, Anna stands up to the bullies, lets her parents know how she feels, saves her father, and unmasks Mr. Who. Unfortunately, most readers won't stick with this book long enough to find these things out. The writing is extremely repetitious, and the author takes too long to begin tying the plot together into a compelling story line. Until that point, the events seem random and the characters bizarre caricatures. Fabry's illustrations are by far the best part of the book. They show each character in great detail and have a stylized nature that fits the genre to a tee. While it might have made a good graphic novel, Anna Smudge misses the mark as a mystery.—Nicki Clausen-Grace, Carillon Elementary School, Oviedo, FL

Gr 8–10—Mixing fantasy with brutal reality, McNish's novel is disturbing as well as moving. Freya, an angel-obsessed 14-year-old, has recently been released from a mental hospital, free to attend public school. Her 16-year-old brother, Luke, cautions her about the popular girls who have befriended her. From personal experience, he has seen how vicious they can be to those who step out on their own for any reason. Beyond his warning, Luke is not able to help Freya negotiate the world of high school because of problems of his own, including harsh bullies and his knowledge of their father's serious illness. It is gradually revealed that Freya, inexplicably, is part angel herself and, as the story progresses, she becomes more and more angel-like; she is eventually given the task of being a guardian to a number of human wards. While there are important and well-developed messages within this narrative, there are too many subplots for them to be effective: verbal bullying by girls, physical bullying by boys, fantasy that is just this side of reality, and illness of a parent to name the most evident. The writing is clear, and Freya and Luke are well developed, although the minor characters are little more than stereotypes. The busyness of the plot notwithstanding, McNish is an author to watch.—Wendy Smith-D'Arezzo, Loyola College, Baltimore, MD

Gr 9 Up—This urban fairy tale, a sequel to Wicked Lovely (HarperTeen, 2007), is impossible to put down. Leslie lives with a father who has given up on life, a drug-abusing brother who allowed his dealer to rape Leslie in lieu of payment, and a burning desire to banish pain and fear from her life. Unable to confide in her best friend, Aislinn, she devotes herself to working to pay the family bills and to get the tattoo she believes will help her reclaim her body. What she doesn't know is that the art she has selected will bind her to Irial, the king of the Dark Court of Fairy. He removes her emotions like fear, panic, or anger, and uses them to nourish the fairies of his court. What Irial doesn't expect is his growing love for Leslie and her desire to make her own choices. In Leslie, Marr has created a damaged, wounded character who still comes across as being incredibly strong. Irial needs to care for his court, knowing them too weak to win a war, but his feelings for Leslie make him unwilling to do what needs to be done. The lesser characters are also well drawn: Rabbit the tattoo artist, his father, Gabriel, and also Aislinn, Keenan, and Seth from Wicked Lovely. While reading that book first would give more shades to some of the characters, it isn't necessary to appreciate the intricate world that Marr creates.—Lisa Prolman, Greenfield Public Library, MA

Gr 4–7—This graceful narrative is based in part on Niêm's childhood in Vietnam. Buddhist concepts are gently introduced and explained in the context of the story, but, more importantly, they are reflected in the tone and style. Tinh may be more spiritual than many of the youngsters in his village, but, at 10, he is still a child. He wants to play with his friends and he covets his cousin's fancy toys. At the same time, he has started to take on many adult responsibilities and is proud to work with his Ba catching fish to feed and support his family. When a storm hits his village, his father entrusts Tinh to secure their boat, but the boy panics and fails to do so. In reality, there was little that could have been done under the circumstances, but he clings to the hope that he can salvage it and win back his father's confidence. The sense of duty that he feels leads him to rethink his actions and his priorities. Cultural references are beautifully integrated into this lovely coming-of-age story.—Ernie Bond, Salisbury University, MD

Gr 8 Up—For many people, knowledge of Nannerl Mozart is confined to the footnotes of her younger brother Wolfgang Amadeus's biography, a fellow wunderkind touring the courts of Europe with her more renowned sibling before fading into the background as an adult. Meyer brings Nannerl to the fore, presenting her as a gifted, sensitive musician whose ambitions for a professional career are thwarted by the restrictions placed on her gender and the demands of her father, who is more interested in promoting his genius son. Her childhood closeness with Wolferl becomes increasingly strained as his career takes him farther from his family and ultimately to a too-early grave. The narrative occasionally descends into a dry recitation of facts, but Meyer creates interesting portraits of Nannerl, the impudent Wolfgang, and their tyrannical father. Give this one to music students and historical fiction devotees.—Christi Voth Esterle, Parker Library, CO

Gr 6–9—This trilogy concludes as Jolly, Griffin, Munk, and other pirate friends battle one last time to save their lives and world from the evil Maelstrom. As Jolly and Munk make their way underwater to find the center of it, they find strange allies along the way and meet another mysterious polliwog named Aina. Meanwhile, Princess Soledad almost dies but is saved by a serpent goddess. Jolly's love interest, Griffin, leaves the belly of Jasconius (a huge whale) to fight the king of the kobalins. Meyer has done a great job of creating a cast of intriguing and interesting people, creatures, and environment in these action-packed adventures. Pirate Wars will have the most appeal to readers who enjoyed Pirate Curse (2006) and Pirate Emperor (2007, both S & S).—Shannon Seglin, Patrick Henry Library, Vienna, VA

Gr 9 Up—When two friends are in a car accident, one is killed and the other horribly injured and left in a coma. The girls are misidentified, and it's Bridget's parents and boyfriend who sit by the bedside waiting for her to awaken, while Maureen is actually the one alive. When Maureen awakens, it becomes apparent that a funeral was held for the wrong teen. The family of the one who survived is understandably overjoyed, but Bridget's is thrown into chaos. In addition to relearning to walk, speak, and even think properly, Maureen has to deal with the guilt of hurting Bridget's family, the loss of her best friend, and her emerging feelings for Bridget's boyfriend. Mitchard's novel was inspired by a recent national headline, though she changed several of the details. One of the author's strengths is how she moves between the points of view of all of her characters, clearly illustrating the different emotions of the people in the town. She doesn't shy away, either, from the reality of recovering from a brain injury. It is clear that Maureen will never have the same abilities she once did. The romantic relationship between her and Danny seems unrealistic, but it adds an element of normalcy to a story that could otherwise be too tragic and heavy. Girls who love to read melodrama and tragedy will enjoy this novel.—Stephanie L. Petruso, Anne Arundel County Public Library, Odenton, MD

Gr 6–10— After 15-year-old Princess Benevolence's parents and her uncle, the king, are presumed killed by agents of neighboring, much-larger Drachensbett, she moves to the palace to live with her widowed aunt, Sophia, now the queen regent, to be groomed as heir to the throne. When Ben discovers magic within the walls of her castle home, she finds a means for asserting her independence and escaping her aunt's control. After a series of adventures and hardships away from the castle, including time spent as a prisoner and drudge in a Drachensbett army camp, Ben ultimately returns to the castle to accept her royal duties. Since her previous behavior has led to questions about her suitability for the throne, she must prove herself to her friends and enemies, using her magic and her wits to find her own adult role. At first, Ben is somewhat spoiled and childish, but the loss of her parents forces her to grow and mature. The first-person narrative is presented as the writing of a much-older Ben, looking back at her life, which allows for both immediacy and frequent humorous comments. The formal tone contrasts with Ben's droll remarks about her many misfortunes. The magic is a significant tool, but her intellect and decisions for how to use her powers are more important than her limited repertoire of spells. Murdock's first venture into fantasy offers a fairy tale with several twists and surprises, and readers will be drawn into the world and moods that she creates.—Beth L. Meister, Pleasant View Elementary School, Franklin, WI

Gr 4–6—Olivia's friend Hal wants his widowed mother to break off her engagement. He misses his father desperately and finds his mother's fiancé, Alec, a poor replacement. Olivia helps Hal to concoct a plan that will make his mom mad at Alec. The real result of the prank, however, is that Hal's mom disappears for five days, which the boy finally realizes is an attempt to force him and his prospective stepfather to get along. Her trick works, and the novel ends in a case of "happily-ever-after." A compelling element that is not explored enough is Hal's synesthesia, a neurological condition that causes him to interconnect color, smell, and taste. Olivia's first-person narrative is often funny and conveys the suspense and mystery regarding Hal's mother's whereabouts, but the story is too quickly wrapped up and doesn't address the emotional aftermath of the mother's scheme. A glossary illustrates Irish language and cultural terms used in the novel, an enjoyable element.—Marie C. Hansen, New York Public Library

Gr 5–7—The best thing that can be said about this book is that the painfully bad cover art should dissuade anyone from attempting to read it. The prose is ungainly and includes grammatical errors at regular intervals. The plot begins with a dark and stormy night straight out of the Bulwer-Lytton contest: "Rumbling sounds resonated from the darkness above, accompanied by a faint groan of atmospheric indigestion echoing in the distance." It doesn't improve. The story follows young Simon Kent, an orphan and a victim of bullies, as he is suddenly catapulted into a series of adventures by an encounter with a young student of magic. Tonya transports Simon to another "paraworld," one of many parallel universes. They have various adventures with Puds, ancient secrets, magic, space travel, etc., but the narrative is nearly impossible to read, let alone enjoy. If readers are looking for something involving parallel worlds, hand them Neil Gaiman and Michael Reaves's wonderful Interworld (Eos, 2007).—Eric Norton, McMillan Memorial Library, Wisconsin Rapids, WI

Gr 3–6—Conn, a pickpocket on the streets of Twilight, one day picks the pocket of a powerful wizard and steals his locus magicalicus, the center of his power. It should kill Conn, but it doesn't. Nevery, the wizard, has just returned after a 22-year exile, to try to save the town from the leaching of its magic, upon which so much, including its economy, depends. Curious about the boy, Nevery takes him on as an assistant and then an apprentice. Although it is the wizard's job to stem the tide of the disappearing magic, he seems unable to do so. Conn believes he knows the answer, but his enemies are closing in. Prineas has created an appealing cast of characters, which she carefully reveals through their actions. The story is told primarily by Conn, and is interspersed with cryptic journal entries by Nevery, which offer a tantalizing counterpoint to the protagonist's viewpoint. Their voices are consistent and well handled. Exciting without being frantic, the narrative wastes no time getting to the heart of the story. This novel would work well as a read-aloud, as it has a conversational rhythm that moves the plot along. The book is long, but the large print and appealing drawings will encourage younger readers. Fantasy and adventure lovers alike will groan when they get to the tantalizingly mischievous ending, and are likely to hound you until the sequel arrives.—Sue Giffard, Ethical Culture Fieldston School, New York City

Gr 9 Up—Seventeen-year-old Harper Evans is spending her summer with Homes from the Heart, a teen volunteer organization that is rebuilding a home in Bailey, TN, after the town is hit by a major tornado. Harper, an LA resident, has never built anything, but she wants to help, and she also wants to get away from the havoc in her own life. Her father and stepmother are getting divorced, her sometime-boyfriend Gabriel, with whom she is sexually active, is indifferent, and her beloved stepsister, Tess, is increasingly distant and seemingly hostile toward her. As Harper says, "I know a thing or two about people whose homes have been destroyed. Their lives uprooted. Everything gone." As the summer progresses, Harper becomes increasingly confident as she learns how to handle power tools and flash a doorsill. She also begins to rebuild her own life as she forms new friendships with her fellow volunteers, begins a romantic relationship with the son of the family for whom the house is being built, and eventually moves toward a reconciliation with Tess. This is a thoughtful treatment of what it means to rebuild, not just physical structures, but also lives and families, and the novel emphasizes values such as compassion for others and forgiveness without becoming preachy. Harper is a sympathetic, believable character whose narrative voice expresses wit and heartbreak, and her emotional journey will have tremendous appeal for mature teen readers.—Kathleen E. Gruver, Burlington County Library, Westampton, NJ

Gr 9 Up-Daniel Morning, son of working-class parents, shoulders a heavy load due to his family's high expectations. He works hard at school but his SATs aren't stellar, and his parents insist on having him classified as ADD so that he can take an untimed test to improve his score. He gets into Cornell, but it burns him knowing that he enjoyed an unfair advantage and he regrets his decision to go along with his parents' wishes. Then he meets biracial and dangerously sexy Misty, who has a tough-girl attitude that intrigues him. Very quickly they become a couple and he learns what she and her friends do in the old abandoned furnace night after night: they eat magic mushrooms and turn into wolves that roam the city, marking their territory as they go. Mesmerizingly addictive and sometimes bluntly graphic prose suits the topic perfectly, with sex and dope and shape-shifting all combining to lead readers down a path full of allegory and excitement. This novel is sure to be a word-of-mouth favorite among older teens.—Susan Riley, Mount Kisco Public Library, NY

Gr 4–6—Ellie McKelvey feels assured that her brother, Jimmy, will not be drafted into the army because he the only breadwinner in the family while their father is recuperating from a broken leg. She is certain that the draft board will have forgotten about Jimmy or that the war will end quickly. But the Nazis and the Japanese continue to advance, and Jimmy eventually receives his orders. As the war and Ellie's story drag on, she displays a typical 11-year-old's childish anger, blaming her brother for promises he cannot keep. She witnesses her neighbors experiencing death notices and the return of wounded soldiers. Rodman's development of a child's emotional response through her protagonist's unwavering wishful thinking climaxes as word comes of Jimmy's heroic death. Ellie's disbelief extends to desperation and then hopeful thoughts that an error has occurred and that her brother will return any day. Ellie's story moves slowly, but readers will sympathize with her loneliness and inner strength to believe in miracles. This psychological, child-oriented war perspective could provide significance in today's military dilemma.—Rita Soltan, Youth Services Consultant, West Bloomfield, MI

Gr 4–9—Fans of Septimus's previous adventures will welcome Sage's latest installment with an eagerness the book deserves. There are fearsome dealings afoot for 12-year-old Septimus Heap, and this time they begin with the foolish Darke Magyk of Merrin Meredith. When Merrin summons Things to do his bidding and aids a malevolent ghost of the first Chief Hermetic Scribe, the result sends Septimus on a Queste. No apprentice has ever survived such an ordeal, but the boy is determined to use this chance to find his brother Nicko, now trapped in time in a mysterious place called the House of Foryx. With his sister Jenna and friend Beetle by his side, he will either succeed in rescuing Nicko and his girlfriend or fall victim to a curse that has claimed too many others. Newcomers to Sage's world would do very well to read earlier books in this series before embarking on this latest title. Characters are almost overly abundant and many crop up in a chapter called "Endings and Beginnings" without making an appearance in the rest of the book. But fans looking for enjoyable characters, a well-paced plot, and the author's customary use of humor and verve will not be disappointed in this newest chapter in Septimus's life.—Elizabeth Bird, New York Public Library

Gr 10 Up—This psychological thriller is told by a seemingly unrepentant murderer. Walter narrates a tale of the tenuous friendship of three boys at loose ends during the summer before they begin high school. Walter lives with his parents in relative comfort in spite of his father's brutal verbal abuse. Mothball, perhaps the most well adjusted of the three, is overweight and easygoing, part of a large family with little money. Jimmy is obviously troubled; it is revealed that the abuse he suffers does not stop with physical blows, but extends to sexual assault. Tensions mount as the boys push one another in ways that go beyond the normal teen behavior. Many bizarre events occur, not the least of which is Mothball's obsession with keeping a turkey alive after its head has been severed. Sanders tries to develop the case for Walter being psychopathic, dripping clues about fire, bedwetting, and cruelty to animals. But, these clues are blatantly superficial. The animal cruelty depicted is within the context of learning to hunt; the fire is presented as an accident. Readers are also misled by the fact that Walter tells the story, yet is untruthful, giving several false clues. There are some elements of true suspense and many very well-written passages, yet the book as a whole is not as cohesive as it could be.—Wendy Smith-D'Arezzo, Loyola College, Baltimore, MD

Gr 9 Up—KJ is a girl with problems. All of the boys she likes—those who are cool and suave—don't seem to know she exists, but the geeky guys—theater types, intellectuals, nonhotties—are attracted to her. Since she is nice to them, they hang around and won't leave her alone. When she lands the coveted position as stage manager for the school production of Grease, popular girls befriend her, and, in turn, popular boys. With guidance from a new "friend," she alienates her old acquaintances and best friend in trade for a cute guy. KJ's other problems—an alcoholic father and an unstable home situation—enter into the story, adding a bit of depth to KJ's character and allowing for the final friendship showdown. Written in a chatty, chick-lit style, complete with realistic teen-speak, the book will appeal to older readers. Though there's not much sense of place (other than high school), and the secondary characters are thin, the play's the thing, and this story will appeal to readers who enjoy a funny romance and friendship novel, and will be nice filler for collections that can never have enough "pink" books.—Angela J. Reynolds, Annapolis Valley Regional Library, Bridgetown, NS, Canada

Gr 5–8—This book picks up where The Way a Door Closes (Holt, 2003) left off. Now that C.J.'s father, who had left the family, has returned, the teen notes that dinners are like "a roomful of strangers" and that he feels weighed down by "brick heavy" questions. Wise beyond his years, eldest son C.J. felt it was his role to "keep the night watch" during his father's absence. Now, he feels displaced in his own home and seethes with anger and resentment. Gradually, everyone starts to move on: C.J. experiences the awkward elation of first love, tries his hand at shaving, and argues and makes up with his best friend. His little sister sends love notes to each family member, and, at book's end, C.J. and his family come together: "We dance on our tears." As in the previous book, Smith masterfully brings her characters to life from the inside out in straightforward free verse. Lewis uses his brilliantly composed, watercolor-and-ink paintings to underscore the strong emotions of the text. This hopeful book celebrates the power of families to heal and overcome hard times. It will speak to the hearts of many readers.—Marilyn Taniguchi, Beverly Hills Public Library, CA

Gr 4–7—In this sweet but predictable novel, Willie Ryan is a boy with three problems: he's terrible at baseball and keeps letting his team down, his mother is overprotective, and a girl named Lizzie won't leave him alone. A detour through the woods leads him to a genielike blue chimpanzee called Dodger, who is at first visible only to the fifth grader. Dodger's attempts to solve Willie's problems lead to disaster. Some of the situations are funny, as when the boy's love for banana yogurt leads to chaos in the cafeteria, and Dodger's surfer-inspired vocabulary and wild ideas for improving Willie's life make for some lighter moments. However, some of the humor seems stra