Gr 5 Up—Generations of readers have treasured this science-fiction classic, so comparisons with the original are inevitable. Larson has remained true to the story, preserving the original chapter format and retaining L'Engle's voice. Black-and-white artwork is accented with blue, echoing the original cover color. Blue shading distinguishes flashbacks. Images of Meg's bruised, expressive face and slouched body shift the focus of the story slightly, making this truly her story, told from her perspective. She is initially portrayed as an "ugly duckling," and her angst and tender feelings are palpable. Larson does an excellent job of building tension. Look for the arrival of Mrs Which, the meeting with IT, and the awe-inspiring approach to Uriel. Imagery of transitions is especially effective. Mrs Whatis's metamorphosis and the dawning of morning after darkness are memorable. Striking black backgrounds with fragmented blue and white outlines perfectly capture tessering sequences. Charles Wallace's demeanor and personality variations are worth noting. Larson's crowning achievement, though, is the noticeable change in Meg's appearance after her encounter with Aunt Beast. Her face and posture portray her maturation and her willingness to not "be afraid to be afraid." However, the expansiveness of travel through time and space seems at odds with the book's trim size. Pages feel somewhat crowded, due to the numerous small panels and relatively dense text. "Playing with time and space is a dangerous game" applies to adapting a literary classic. While some may quibble with specific discrepancies from the original, this book serves as an excellent introduction and companion to a classic children's story.—Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY
Hope Larson’s vividly imagined interpretation of Madeleine L’Engle’s classic comes just in time for the fiftieth anniversary of the original’s publication. The faithful adaptation of the text and accessible graphic-novel format combine for a substantial and satisfying literary experience. Larson’s stylized black, white, and blue illustrations work well with the story. For example, her drawings show Aunt Beast to be intimidatingly large, yet also soft and gentle. Readers will understand Meg’s initial fear at being taken away by this creature, as well as how she ultimately comes to trust her. This engaging visualization is an ideal entry point into L’Engle’s work, and into fantasy novels generally, for those who previously may not have been fans of the genre.
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