FICTION

Alex Ko: From Iowa to Broadway, My Billy Elliot Story

328p. photos. HarperCollins/Harper. 2013. Tr $16.99. ISBN 978-0-06-223601-2. LC 2013932626.
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Gr 5–8—Ko focuses on the two main events in his young life: the loss of his dad from cancer when he was 11, and his subsequent foray into ballet, leading to a starring role, at age 13, on Broadway. After being sidelined from gymnastics to work through an injury, Ko finally received his father's blessing to pursue dance. His passion for it, both as an athlete and as an artist, is evident. Despite his family's financial hardships and many setbacks, Ko never lost his upbeat disposition. He describes in heartbreaking detail his father's struggle with cancer, including a failed liver transplant and their last family trip to California. Ko's father remained very much on his mind, and he connected to his dad in nightly prayers. A dance choreographed in the man's memory became the audition piece that won Ko the starring role in Billy Elliot. Ko experienced equal parts camaraderie and competition with the two other boys who shared the role. Readers will be fascinated by the backstage details of working on Broadway and impressed by Ko's humble nature. Even after appearing on Broadway, he remains starstruck by some of the celebrities he meets, including Rosie O'Donnell and President Obama. An appealing memoir.—Madigan McGillicuddy, Atlanta-Fulton Public Library, Atlanta, GA
An exciting behind-the-scenes look at a popular, kid-focused Broadway musical. Engaging details about the audition process and how young stars manage schoolwork, cope with injuries, and employ nifty quick-costume-change tricks, will draw the audience into the fascinating world of performing on stage. Alex Ko’s personal story is riveting. Even readers who aren’t particularly interested in dance will relate to overcoming obstacles, moving to a new place, and working hard to achieve a goal. Ko faces difficult situations and setbacks, including the death of a parent and a serious injury. His focus and dedication in the midst of such challenges is inspiring. Young readers may be especially interested in the advice that Ko shares, since he is close to their age. Ko has gained wisdom from his experience and writes with maturity. For example, describing the teacher/dancer dynamic he says, “Normally, I listen very closely to my teachers and directors and try to do exactly what they say. That’s just part of being a professional. As much as art and dance are about inspiration and creativity, they’re also jobs, and if you want to be successful, you’ve got to listen.”

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