Gr 5-8–Evvy Hoffmeister, 13, arrives at Loon Lake Sanatorium in Minnesota in the early 1940s in hopes of being cured of tuberculosis. She is confined to bed rest in a ward with three other adolescent girls, Beverly, Pearl, and Dena. Evvy misses her family, especially her twin brother, but adjusts to life at Loon Lake, a complex of buildings almost as vividly depicted as the staff and patients it houses. Stony Nurse Marshall, dubbed Old Eagle Eye by Dena, assigns privileges when the girls cough up less bloody sputum and show signs of improving health. Yet death is always close at hand, and Pearl, who had the privilege of leaving the sanatorium for a day, returns happily with gifts of decorated paper fans for her friends, only to die in the hallway from “throwing a ruby,” a hemorrhage. Many archaic medical treatments are used on the patients, including thoracoplasty, the removal of a rib to allow a lung to collapse and heal. Sarah, a new patient, becomes Evvy’s friend and shares the secret that she is Jewish. With awareness of World War II being fought in Europe, a staff member insults Evvy because of her German surname. She is a resilient and perceptive character who will not be defined by her illness. This powerful novel, illustrated with contemporary objects and documents, portrays an illness that is unfortunately making a comeback. A moving and well-wrought story.–Susan W. Hunter, Riverside Middle School, Springfield, VT
"A little mystery was better than a lot of boring," thinks thirteen-year-old Evvy Hoffmeister when in May 1940 she is sent to Loon Lake Sanatorium to recover from tuberculosis. This philosophy takes Hayles's first novel far, making a perfect read for those not yet ready for Martha Brooks's emotionally dense Queen of Hearts (rev. 7/11). Although Evvy is at first horribly lonely in the sanatorium, her natural inquisitiveness gradually overcomes her fear and isolation, creating an evenly paced story in which Evvy learns about people and about herself against the backdrop of sanatorium life. While daily life seems to move slowly, Hayles reminds us that change is constant. The war in Europe casts its shadow: Evvy's roommate Sarah hides her Jewish roots, Evvy herself faces cruel comments about her German name, and the inmates argue about whether America should join the war. Their most immediate concern, however, is getting discharged rather than "going home" (i.e., dying of the disease). Hayles's commitment to covering the whole range of possible backgrounds, treatments, and fates for the sanatorium patients (one undergoes a thoracoplasty; another dies of a massive hemorrhage; in a third, TB spreads to her brain; etc.) makes the story seem somewhat contrived, but Hayles succeeds admirably in showing, rather than telling, Evvy's character and growth. The title Breathing Room becomes all the more apt as Evvy both wins back her lungs and becomes her own person. ariel baker-gibbs
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