Earwig and the Witch

Bossy Earwig is not your typical orphan in distress. She's adopted by an unpleasant witch and a nine-foot-tall fire-demon but takes advantage of the situation and learns magic to outwit the witch. This early chapter book features a nonstop plot, memorable characters, an accessible design, and plentiful line illustrations. A worthy introduction to the delights of a master fantasy writer.

From the start, readers of this early chapter book fantasy will know that Earwig is not your average orphan in distress. With her "very strong personality," she is perfectly happy at St. Morwald's, mostly because "everyone, from Mrs. Briggs the Matron to the newest and smallest children, did exactly what Earwig wanted." So when she is adopted by an unpleasant witch named Bella Yaga (whose only interest in Earwig, it turns out, is as slave labor) and her horned, nine-foot-tall, fire-demon companion, we're not as worried as we might be. And indeed in very short order Earwig has made a friend in the witch's familiar, a talking cat, and has teamed up with him to get her own back. This little fillip of a novel is over almost before it begins, but while it lasts readers are treated to a nonstop plot, memorable characters, and signature DWJ touches: a bungalow that is much bigger on the inside than it is on the outside; demons who enjoy prosaic pub food. An accessible page design incorporates Zelinsky's plentiful line illustrations, the best of which (Bella Yaga pinching herself with the two extra hands Earwig has magicked her with, the fire-demon walking through a wall) are showstoppers. For younger readers, a worthy introduction to the delights of the late, lamented master fantasist. martha v. parravano