Gr 4–7—Seventh-grader Kate Walden is pursuing her aspirations of becoming a filmmaker. Things are going mostly well, despite the fact that her mother's prized organic hens are behaving nothing like the zombies she has cast them as in her first feature-length film. Problems arise when her friend Alyssa, who is also the star of her movie, abandons the project as well as the friendship. When Alyssa starts hanging out with the most popular girl in the school, Kate finds herself the butt of class jokes. She feels lonely, isolated, and not the least bit like a movie director. However, she manages to solve both her friendship and movie-making problems by befriending two of her school's outcasts. In the process, she realizes that popularity does not necessarily equal happiness. The tale comes to a climax as Kate devises a plot to exact revenge against her former friend. Readers will be on the edge of their seats as Kate makes the ultimate decision of whether or not to ruin Alyssa's reputation.
Zombie Chickens is an original take on friendship between girls and middle-school angst. Fans of Wendy Mass, Sharon Draper, and Rebecca Stead will appreciate this clever and quirky piece of realistic fiction.—
Lauren M. Sinacore, George M. Davis Elementary School, New Rochelle , NYBudding movie director Kate's longtime best friend, Alyssa, seems to be falling into popular Lydia's "gravitational pull." After an angry fight, Kate writes a script that will make Alyssa realize what it's like to be on the outside. Mata depicts middle-school angst with humor and pathos. The accessible writing style and Kate's snappy personality should put this high up in the pecking order.
Like many directors, seventh grader Kate finds that her cast doesn't always cooperate, whether it is her mother's chickens or popular girl Lydia, who asks to be a zombie but can't be serious long enough to film. Thanks to Lydia's chicken-poop jokes at school, Kate finds herself with the new unfortunate nickname "Crapkate" and sitting at the unpopular table at lunch. What's worse, her longtime best friend Alyssa seems to be falling into Lydia's "gravitational pull." After an angry fight, Kate writes a script that will make Alyssa realize what it's like to be on the outside. Mata depicts middle-school angst with humor and pathos, as Kate frequently blurts out things she doesn't mean to say and gets herself into situations that are emotionally complicated, including a side story in which she overhears her father speaking cozily on the phone and decides to spy on him. The accessible writing style complete with middle-school crudeness ("You suck!"), the realistic conflicts with friends and family, and Kate's snappy personality should put this high up in the pecking order. susan dove lempke
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