Gr 3—6—This first book in the series is uneven and ultimately unsatisfying. Told through the perspective of a Snicket-esque third-person narrator, it begins the story of Wilma Tenderfoot, orphan and aspiring detective. When she's hired as a servant for bitter Mrs. Waldock, she gets the chance to fulfill her dreams: legendary detective Theodore P. Goodman lives next door. While he attempts to solve a mystery involving a stolen jewel and victims found with frozen hearts, Wilma willfully inserts herself into the case, sometimes finding clues and sometimes just getting into trouble. For much of the book, even young readers may sympathize with Goodman over Wilma. She is a bit plucky, too precocious, and her appearances can be a grating. The mystery itself is interesting and develops well as Goodman, and, in a parallel plot line, villainous Barbu D'Anvers, follow well-placed clues to discover the culprit. However, the resolution is weak, and the frozen hearts have little to do with the culprit or plot.—Heather Talty, formerly at Columbia Grammar & Preparatory School, New York City
Orphan Wilma Tenderfoot moves next-door to her detective hero, Theodore P. Goodman. She wheedles her way into his good graces by helping him solve two mysteries (involving a jewel heist in Hearts and theatrical murders in Poison) then becomes his apprentice and ward. Wild characters and humor abound in the first two books of this new series. Review covers these titles: Wilma Tenderfoot: The Case of the Frozen Hearts and Wilma Tenderfoot: The Case of the Putrid Poison.
Humor is injected into the story at every opportunity—from Wilma’s endearingly inept crime-solving skills to her dog’s penchant for eating important clues to an oddball character who wears a knitted wristwatch. Even gruesome murders are tempered by sheer absurdity. The plot moves quickly, switching between Wilma’s escapades and the various crimes occurring throughout town. Authorial asides, hinting at impending events, and chapter-ending cliffhangers will keep readers engaged. Emma Kennedy has a knack for description, using dynamic language and vivid similes: “The inside of Howling Hall was no more welcoming than its exterior. Dark, heavy furniture brooded in corners, and patches of damp mold crawled up the walls. One weak and fizzing light did its best to cut through the gloom, but it was like throwing a pea to stop an elephant.” Wilma’s resolve to improve her circumstances and become a detective, against the odds, is charming. Despite numerous setbacks—being an orphan, being sold into servitude, and lacking real investigative skills—she shows great optimism.
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