FICTION

The Crowfield Demon

360p. glossary. CIP. Scholastic/Chicken House. 2012. Tr $16.99. ISBN 978-0-545-31769-6; ebook $16.99. ISBN 978-0-545-39229-7. LC 2011029246.
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Gr 5–8—Set in 14th-century England, this sequel to The Crowfield Curse (Scholastic, 2010) finds young William still working as a servant at Crowfield Abbey. He has the ability to see into the spirit world and is still struggling to harness his powers. Befriended by a monk, a hobgoblin, and a warrior fay from another world, William is caught up in a mystery that involves the Dark King, who seeks revenge, alchemy, and magic. After the abbey chapel cracks at its foundation and collapses, William and the monks discover a wooden bowl that was once used for ritualistic sacrifice to a fallen angel who was once worshiped on the same grounds. The angel is returning and desires to capture William's bright, shining soul. The battle between good and evil is intense and frightening, keeping readers on edge. In William, Walsh has created a character readers can relate to and care about.—Kathy Kirchoefer, Prince Georges County Memorial Library System, New Carrollton, MD
In The Crowfield Curse, William saved an angel. Now he must stop a demon that is bent on destroying Crowfield Abbey, even if it means turning to alchemy for help. Familiar characters return, including the fay, Shadlok, and their hob friend, Brother Walter. Magic and religion overlap in this absorbing, well-written (if derivative) historical fantasy, set in fourteenth-century Britain. Glos.
The best kind of thriller: Pat Walsh infuses the narrative with creeping dread and constantly ratchets the suspense, while also including a few truly shocking moments. Evocative descriptions provide a powerful sense of place, immersing readers in William’s world: “The lightest of breezes swayed through the branches high overhead, and sunlight dappled the forest floor with light and shadows. New green growth unfurled beneath the trees and here and there blackthorns were covered in clouds of white blossom. . . . Spring was creeping through the forest and summer would be close behind.” Walsh excels at defining her characters: “[Sir Robert’s] dark tunic was somber but even William could tell that the cloth was of the finest quality. There was a heavy silver buckle on his belt and he wore a gold ring on one finger. And he was clean, William noticed, from his carefully cut fingernails to his soft calfskin boots.” Rich symbolism adds depth to the story. For instance, the initial scenario of repairing a crack in the church’s edifice seamlessly leads into the larger plotline—a crack in the church’s spiritual foundations, which causes a grand battle between good and evil.

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