Gr 4–7—Toda lives in an unspecified country in which the northern and southern sections are at war. Her father has left his job as a pastry chef to serve as a soldier. He explains to her that he will "disguise himself as a bush" to hide from the enemy. The child is left with her grandmother until the area becomes too dangerous and she is sent to live with her mother across the border. As Toda undertakes the precarious journey to safety, she encounters people and situations she describes from her innocent, childlike perspective. When she finally arrives beyond the border, she is questioned by a man asking, "How did you get across the border?" "I don't know," answers Toda, "because I didn't see where it was." The contrast between the adults and Toda's innocence adds humor to the story line and points out the absurdity of war and its processes in general. The black-and-white drawings interspersed throughout further emphasize the droll humor. This would be a useful supplement to foster understanding of the refugee experience. It also makes a simple yet strong statement advocating peace and could precipitate discussions on many relevant issues in today's world. Suggest this one to readers who have shown interest in John Boyne's
The Boy in the Striped Pajamas (Random, 2006).—
D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OHThe narrator of this quirky story describes two terrible results of her country's war, one of which is that she's sent to live with her estranged mother in a neighboring country. The narrator's naive clarity of voice creates an engaging critique on the idiocies of conflict and bureaucracy. Liberally endowed with comic, ironic cartoon drawings.
This popular Dutch author/illustrator has a gift for writing of serious matters while maintaining a deceptively light, quirky sense of humor. The narrator of this story (all we learn of her name is that it contains four ks and ends with "toda") describes two terrible results of her country's war. One is that her father "becomes a bush" (she imagines him in various forms of camouflage); the other is that she's sent with other refugees across the border to live with her estranged mother in a neighboring country. Her journey is picaresque: first she encounters an autocratic retired general who wants to measure her fearlessness with Scary Words, Scary Pictures, and Unexpected Situations; then she meets a captain who's AWOL because he's unable to use the imperative mood. Van Leeuwen presents vagaries of personality, bureaucracy, and nationalism with a gentle form of Brechtian absurdity; and the narrator's naive clarity of voice and affection creates an engaging critique on the idiocies of conflict and bureaucracy. At the same time, this fable is warm, intelligent, and funny, arriving at a conclusion that is emotionally satisfying, if not secure. Liberally endowed with van Leeuwen's comic, ironic cartoon drawings. deirdre f. baker
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