NONFICTION

The Mad Potter: George E. Ohr, Eccentric Genius

GREENBERG, Jan & . 56p. bibliog. notes. photos. reprods. Roaring Brook/Neal Porter. Oct. 2013. Tr $17.99. ISBN 978-1-59643-810-1. LC 2012047601.
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RedReviewStarGr 5–8—Ohr was a homegrown genius and the greatest artist potter on Earth, or so he claimed, and while dismissed by many as a self-promoting eccentric (he was that), much of what he declared about himself is recognized as true today. His pottery, notably inventive in its shapes, textures, and glazes, became more experimental and free-flowing in form after 1894, when fire destroyed his kiln. While clearly distinct, Ohr's art was not outsider; he subscribed to the ideals of the Arts and Crafts movement, and for a short time worked with Joseph Meyer furnishing pottery for the women of The Ladies' Decorative Arts League in New Orleans. But Ohr was quirky, flamboyant, and a Biloxi, Mississippi, tourist attraction; he had a bushy handlebar mustache that he could wrap around his ears, and he was often difficult. The authors do an excellent job describing this larger-than-life character through quotes and plentiful color photos of his pottery, or "mud babies" as he referred to his creations. Of particular interest are the archival sepia photos, including the two large, double-page images depicting the artist in his barnlike studio with piles and piles of his work-and several children-about, that open and close the book. A one-page guide on "How to Look at a Pot" examines a decorative piece with reference to texture, color, form, line, and expression. Extensive source notes round out this nicely designed, fascinating introduction to the master craftsman and art pottery.—Daryl Grabarek, School Library Journal

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