
Illustration by Melinda Beck
In my other life, you know, the fantasy one, I’m a school librarian by day, complete with tortoise-shell glasses and a hot factor of 10. By night, I transform into something akin to Buffy the Vampire Slayer, at which point I spend time saving the world, of course. With February 14 quickly approaching, I’m worried about the strange but interesting suitors lining up to be my valentine (ah, the gorgeous dilemmas I face in my imagination). I’m also thinking about which romance novels I’ll pull from the shelves to tempt the hearts of the tweens and teens who visit my lair (aka the library). In real life, sadly, I’m not a librarian-superheroine but a mere college professor. While I would love to create a romance syllabus for one of my classes, it would never get past the hoity-toity curriculum committee. So I’m going to project my ideal display shelf onto those of you who do have your very own library or classroom. But before I reveal my Valentine’s Day superlatives—yes, that’s right, superlatives! You know, like in high school, when you get “Best Hair” or “Most Likely to Open a Prom Dress Consignment Store” (which is how I was immortalized in my yearbook)—I’ll clue you in on my criteria, of which there are three prime considerations. Many people view romance novels as fluffy and not worth reading. These are the same people who ask pointed questions like, Why should teens waste time on intoxicating, heady, first love when they can instead trudge through a despair-inducing journey of real-life pain and agony? Granted, books that tackle heavy issues have an important place in one’s reading life, but so do lighthearted novels that do nothing more than make your heart go pitter patter—especially during those years when kids are just beginning to feel their pulse race. So, fair warning: I’m going to be shameless in my offering of romantic bliss, even in its cheesiest, most blush-inducing form, because there’s a worthwhile place for these books in our kids’ imaginations. And on that same note… My college students are romance-starved. Some of you may be asking, What has this to do with my students who are in middle or high school? I know this leap is unscientific, but I’m making it anyway: by the time your former students are midway through college and sitting in my classroom, many (dare I say most?) are tired of sex, sex, sex. They’re empty, spent, and longing for seriously chaste, old-fashioned romance—we’re talking stargazing and hand-holding, the end—and they have no idea how to find it. So now is the perfect time to introduce your students to sweet, innocent-yet-sexy romance novels. That way, when they get older, they’ll have narrative models to show them how to make simple, romantic gestures (like asking someone out or setting up a first kiss), and they won’t end up having a sex-life crisis in college. Writing a kissing scene is hard. Writing a good kissing scene (or, for that matter, any romantic encounter) is even more difficult. When I was working on my first novel, somewhere in the back of my mind I knew that eventually I would have to write a kissing scene. This was a daunting thought. I blush even now just remembering that I actually wrote one! I think I may have typed it with one hand screening my eyes (you know, like, when you get embarrassed and can’t stand to watch). Therefore, I stand in great admiration of any writer who can pull off a romantic scene with flair and ease. OK, ready to hear my favorite romantic YA-novel moments? Well, here they are, arranged, of course, in their appropriate, Cupid-inspired categories.
And the winners are… Bella and Edward from Twilight (Little, Brown, 2005) by Stephenie Meyer. I’m aware that Twilight-bashing is all the rage, but come on, people—get over it (at least for the month of February). Twilight is the very definition of a page-turner and a romance novel, Meyer is a fantastic storyteller, and Bella and Edward—well, they manage to sustain an erotic tension the likes of which I haven’t seen elsewhere over the course of more than 2,000 pages (counting, of course, the entire series). I suspect that with the release of Breaking Dawn (Little, Brown, 2008), the final installment of the “Twilight Saga,” some readers got angry when they discovered it was “simply” a quintessential romance, tied-up neatly with a bow (granted, the baby thing was a bit much) and not something weightier, like Philip Pullman’s “His Dark Materials.” But Meyer’s gooey, happy ending is exactly what makes a romance novel satisfying. Why else would so many teens swoon over it? 
First place goes to Gen from The Queen of Attolia (HarperTeen, 2000) by Megan Whalen Turner. Gen (short for Eugenides) is not only an adventure-seeking, quick-witted, loyal right hand to the Queen of Eddis, but an agile, clever thief who falls head over heels with his brutal but beautiful enemy, the Queen of Attolia. Whalen Turner has that rare talent of planting the tiniest of hints that something like romance is afoot between Gen and Attolia. So by the time Gen declares his love to his unusual beloved, readers may simply forget to breathe. Of course, to fully enjoy Gen’s escapades, romantic and otherwise, one must start from the beginning with The Thief (1996) and roar right on through The Queen of Attolia to The King of Attolia (2006, both HarperCollins). Lucky are those readers who still have this series ahead of them. 
Headiest Falling in (and Out of) Love Scenes
This one’s a snap: the medal goes to Samantha Madison from Ready or Not (2005) by Meg Cabot. I’m pretty sure that Ready or Not, the sequel to All-American Girl (2002, both HarperTeen), is Cabot’s response to those required abstinence-only education programs. Squeaky clean Cabot gives her readers quite a few lessons in love and sex via Samantha (who, incidentally, is dating the president’s son), including detailed conversations with sis about methods of protection, how to practice having that all-important female orgasm, not to mention the value of having honest conversations with your partner ahead of time—all in order to foster the best possible circumstances for pleasurable, fulfilling, first-time sex. And Cabot manages all this education without sacrificing her signature sense of humor or lighthearted characters. 
It’s difficult not to root for Ed Kennedy from I Am the Messenger (Knopf, 2005) by Markus Zusak. Ed, a young taxi driver, is the chosen deliverer of strange messages that are designed to change his life, as well as the lives of strangers and friends, in ways both big and small. After many highs and lows (and a few bruises), Ed receives one last message that’s intended to heal some hearts, including his own, which aches for Audrey, his best friend and fellow taxi driver. The message sets the stage for one of my favorite, sweet encounters in YA literature: as the sun rises, Ed and Audrey slow dance with each other and decide to allow themselves to be in love “for three minutes.” 
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