Gr 1–3—More than mere confection,
A Fine Dessert is a rich and satisfying journey across four centuries, told through the eyes of four families. Beginning with a young girl and her mother picking wild blackberries in Lyme, England in 1710 and ending with a father and son in modern day San Diego, each story is explored through the lens of making Blackberry Fool, a treat consisting of berries, cream, and sugar. Jenkins keeps the text tightly focused on the task at hand: gathering the ingredients, mixing them, presenting the finished dessert, and enjoying the sweet rewards. Each story follows the same pattern, allowing children to observe similarities and differences in across time periods. Technological progress is highlighted in the evolution of the mixing process: from a bundle of clean, soft twigs in the 18th century to a metal whisk made by a blacksmith in the 19th century to a cast-iron rotary beater in the 20th century and finally to the nearly effortless electric mixer in the 21st century. Blackall's ink and watercolor illustrations, accented with real blackberry juice, provide the details that both unify and differentiate the various historical periods. The story set on a Charleston plantation could have been uncomfortable in less capable hands. A spread shows a white family sitting down to supper as a slave family waits upon them. Jenkins and Blackall show rather than tell, allowing young readers to draw their own conclusions about the fact that the characters must hide in a closet to enjoy the dessert they've worked so hard to make. The final spread depicts a modern multigenerational, multicultural gathering. A recipe for Blackberry Fool is included. Simply delectable. —
Kiera Parrott, School Library Journal
In four thought-provoking vignettes set a hundred years apart,
parents and children make blackberry fool. Accompanied by
Blackall's decorative and informative art, this thought-provoking
sample shows how a simple task has changed over time. In 1810
Charleston, an enslaved woman and daughter get only bowl lickings;
in 2010 San Diego, a dad and son host a diverse group of friends.
Recipe and historical notes appended.
In four vignettes, set a hundred years apart from each other, parents and children make delicious blackberry fool from blackberries, cream, and sugar: quintessentially simple. Still, the cream must be whipped, with a different tool each time -- a laborious twenty minutes with a bunch of twigs in 1710 Lyme, England; just two minutes with an electric mixer in 2010 San Diego. Early cooks pick berries; now, they may come packaged from afar -- but the work of sieving them hasn't changed much. Each setting has its kitchen practices, cooks, and meals: in 1810 Charleston, South Carolina, an enslaved woman and her daughter get only bowl lickings, while the master and his family are served the dessert; the San Diego dad and his son host a potluck for a diverse group of friends. Blackall's art, as decorative as it is informative, features lovely (if unrealistic) calligraphic berry bush tendrils to counterpoint her cheery, wholesome figures; a subdued palette of historical tans is warmed with spots of green and pink, blossoming into brighter hues in the California present. It all adds up to a thought-provoking sample of how the techniques involved in a simple task have changed over time; and how people, and food, have stayed much the same, making this an effective introduction to the very idea of history. Recipe, sources, and historical notes from both author (pointing up such changes as following recipes and pasteurization) and illustrator (searching questions on the lives of slaves, her careful decisions on dress, and the engaging information that the mottled endpapers were colored with actual blackberry juice) are appended. joanna rudge long
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