Gr 9 Up—Michelle was raised by her loving grandfather, while her drug-addicted mother was in and out of her life. But when her grandfather dies, the teen has to live with her mother, and avoid her mother's boyfriend's advances. Jealous of the attention being paid to her daughter, the protagonist's mom kicks her out onto the streets of Philadelphia. Michelle heads to New York City with the last of her money to find an old friend there, whom she isn't able to locate. With no money and no one to turn to, Michelle falls victim to Devon, a pimp who comes disguised as a nice guy with money, food, and a place to stay. Before long, the young woman is known as Little Peach. She's popping pills to zone out while working for her "daddy" Devon as a prostitute on Coney Island. When one of Devon's other girls goes missing, Michelle knows it's time to find a way out. Teens will be interested in the author's well-researched novel on human trafficking. However, the spare writing, while good for reluctant readers, makes it hard to connect with Michelle. This leaves readers unable to feel sympathetic toward the main character and the tough choices she faces. The sexual content and physical abuse in this book, while in keeping with the topic, may be disturbing to some readers.—
Kelly Jo Lasher, Middle Township High School, Cape May Court House, NJ
Kicked out by her addict mother, fourteen-year-old Michelle leaves
Philadelphia and winds up in New York City with no money and no
contacts. She meets seemingly kind Devon, and within days, she's
being pimped out, using drugs to numb the experience. Kern's
declared intention is to spur reader activism, but vague and
generic writing doesn't elicit much genuine sympathy for the
protagonist.
A compelling, uncompromising novel that shines a light on the underground world of human trafficking and gives voice to the young people trapped inside it. Michelle is an immediately engaging protagonist, and the spare, accessible language evokes both the cold reality of what she has endured and her breathless relief. While hospitalized at the start of the novel, for example, she speaks to a concerned social services worker: "You lean forward and reach for my face. At first I flinch, waiting for a punch or a push or something else that hurts. Then you brush a tattered braid from my eyes and rest your hand on mine." The novel's necessarily challenging subject matter is leavened with frequent glimpses of kindness. Michelle's fellow "girls," Kat and Baby, are deeply troubled but compassionate; their friendship helps Michelle survive. And Michelle's warm memory of her grandfather and his thoughtful advice about whom to turn to when she needs help becomes an inspiring leitmotif. Michelle's story concludes on a note of measured hope, but Peggy Kern is realistic about the persistence of the inhumane system Michelle has escaped. Readers motivated to learn more or take action will find the author's note helpful.
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