FICTION

Paperboy

224p. Delacorte. May 2013. Tr $16.99. ISBN 978-0-385-74244-3; PLB $19.99. ISBN 978-0-375-99058-8; ebook $10.99. ISBN 978-0-307-97505-8. LC 2012030546.
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Gr 6–9—After an overthrown baseball busts his best friend's lip, 11-year-old Victor Vollmer takes over the boy's paper route. This is a particularly daunting task for the able-armed Victor, as he has a prominent stutter that embarrasses him and causes him to generally withdraw from the world. Through the paper route he meets a number of people, gains a much-needed sense of self and community, and has a life-threatening showdown with a local cart man. The story follows the boy's 1959 Memphis summer with a slow but satisfying pace that builds to a storm of violence. The first-person narrative is told in small, powerful block paragraphs without commas, which the stuttering narrator loathes. Vawter portrays a protagonist so true to a disability that one cannot help but empathize with the difficult world of a stutterer. Yet, Victor's story has much broader appeal as the boy begins to mature and redefine his relationship with his parents, think about his aspirations for the future, and explore his budding spirituality. The deliberate pacing and unique narration make Paperboy a memorable coming-of-age novel.—Devin Burritt, Wells Public Library, ME
In this debut novel based on the author's childhood and set in 1959 Memphis, readers meet an eleven-year-old narrator who has a substantial vocabulary and can consider many sides of an issue but who, because of his stuttering, seldom speaks. When he takes over his best friend's paper route for the summer, the task is Herculean. He can withstand the July heat, fold the papers extra tight, and throw them with precision. But he must collect payment every week, compelling him to talk to strangers. He writes the way he speaks, using plenty of ands but few commas, creating a near stream-of-consciousness narrative. With heartbreaking detail, he describes his difficulties, how he uses the "Gentle Air" method of blowing out a few breaths before certain consonants, or shouts certain words, or tosses an object in the air before uttering a sound. The only name readers know him by is Little Man, the one given him by Mam, his family's black maid. Her presence accurately reflects the times, and, to some extent, Vawter sidesteps the stereotype by combining Mam's need for personal justice with her protection of Little Man. Still, it is the paper route that Little Man must conquer on his own, and the people he meets during his journey he must understand. In a compelling climax, he, still stuttering, proudly announces his real name; the moment is as eloquent as his story. betty carter

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