FICTION

The Artist Who Painted a Blue Horse

978-0-39925-713-1.
COPY ISBN
PreS-Gr 2—Carle has constructed full-page images of animals in creative colors, beginning with a blue horse and culminating with a polka-dot donkey. The text begins, "I am an artist and I paint…" with each page displaying a different animal labeled with its name and color. The artist appears very pleased with his cheerful creations. Each page turn reveals one remarkable creature after another, and children will be filled with anticipation and surprise as they follow along. A concluding note explains that the artist in the book was inspired by Franz Marc, whose work, like that of other "degenerate artists," was banned by the Nazi regime. A reproduction of Marc's Horse and Yellow Cow is included. Carle's collages include brightly painted papers, custom cut and assembled to represent imaginative, childlike images. Adults will appreciate the connection between Carle and Marc while children will savor the simplicity and predictability of this book. Another masterpiece from a master artist.—Diane Antezzo, Ridgefield Library, CT
An artist paints animals the “wrong” color: a blue horse, red alligator, green lion, etc. When Carle, as we learn in an afterword, was growing up in Nazi Germany, this mixing up of natural coloration was seen as degenerate. While the book’s simple, direct text and large type indicates a young audience, Carle is also making a larger, more autobiographical statement.
In its simplest interpretation, Carle's book is about an artist -- perhaps a child, perhaps an adult -- who paints animals the "wrong" color. There is the titular blue horse, a red alligator, green lion, and even a black polar bear. Those who know Carle's work well will recognize several familiar characters in their original colors (like the blue horse from Brown Bear, Brown Bear, rev. 11/92). The lesson here, that it's okay to use colors outside the realm of nature, may be unnecessary in this day and age. But when Carle, as we learn in an afterword, was growing up in Germany during the Nazi regime, this mixing up of proper coloration was seen as degenerate. In particular, we learn about Franz Marc, who specialized in blue horses and whose paintings were among the contraband that a kind teacher introduced to young Eric. While the simple, direct text and large type of this book indicates a young audience, there's no question that Carle has created this book to make a larger, more autobiographical statement. You could even call this his Miss Rumphius: a late-career mission statement. lolly robinson

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