FICTION

The Last Dragonslayer

Bk. 1. 286p. (Chronicles of Kazam Series). Houghton Harcourt. 2012. Tr $16.99. ISBN 978-0-547-73847-5; ebook $16.99. ISBN 978-0-547-93542-3.
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RedReviewStarGr 4–7—Orphaned Jennifer Strange, 15, is the manager of Kazam Mystical Arts Management, an organization that promotes the use of magic by its resident sorcerers, a quirky bunch at best. Within the course of one week, Jennifer becomes famous when she is named the Last Dragonslayer, and her already unusual life becomes one of danger, deceit, and dragons. She is called upon to kill the last dragon in the land and war threatens to break out as countries surrounding the Dragonlands vie for control of its vast and rich lands. Jennifer doesn't want to kill the dragon, but her duty and destiny are clear. Or are they? Mixing modern sensibilities, magic, and mayhem, Fforde has written an entertaining story that will appeal to lovers of magic and magical beings. Humor abounds, but so does heart, as readers are introduced to a heroine who is practical, smart, and true. More wacky adventures are promised in the next book in the series.Kathy Kirchoefer, Prince Georges County Memorial Library System, New Carrollton, MD
Foundling and indentured servant Jennifer Strange runs Kazam Mystical Arts Management in the absence of its founder, the Great Zambini, hiring out the agency’s sorcerers, carpeteers, and pre-cogs for practical jobs to keep the company afloat. Flying carpeteers deliver organs for transplants; sorcerers magically fix plumbing and electrical systems; and pre-cogs are useful in flower nurseries, predicting colors of blooms in ungerminated bulbs. The power of magic is at a low ebb, making even these mundane spells difficult. Then a pre-cog has a premonition of the death of the Last Dragon, and Jennifer learns that she herself is the Last Dragonslayer. All her skills at negotiating product endorsements, bribes, and threats are put to the test -- as is her ability to handle the much-vaunted Big Magic. Full of "wizidrical" and literary energy, Fforde’s fantasy is smart, funny, and abundantly imaginative in its critique of commercial culture. Jennifer is an endless, zesty font of wit and comic analogies; the brisk, businesslike rhythm of her account deepens the comedy and gives the story irresistible momentum. Reminiscent of Pratchett in tone, this is nevertheless Fforde’s own creature entirely -- and entirely satisfying. deirdre f. baker

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