Gr 8 Up—Little more than a month has passed since teens Evaline Stoker (sister of Bram) and Mina Holmes (niece of Sherlock) wound down their first collaborative effort at fighting crime and solving mysteries in
The Clockwork Scarab (Chronicle, 2013). When the young women are summoned by Princess Alexandra, daughter of Queen Victoria, their skills are tested once again. The royal enlists the girls' help in a case involving her dear friend who has fallen prey to a manipulative spiritualist. Then there is the issue of vampires—thought to be long extinct—skulking through the streets of London. Told in Evaline's and Mina's alternating first-person points of view, the story gives readers an illuminating and fascinating peek into late-Victorian London life. Evaline, a bold and vivacious aspiring vampire slayer, craves adventure and risk. Mina prefers work that requires the methodical application of her inestimable sleuthing skills. Problems are compounded when Dylan, the time-traveler from modern-day London, tries to help. His assistance—performing the Heimlich maneuver on an aged, grumpy Queen Victoria, for instance—might very well alter the course of history. Gleason's novel is a well-oiled machine. Every literary cog and wheel has its distinct function—the authentic historical framework, the adeptly integrated steampunk devices, the compelling personalities and backgrounds of the outwardly tough but inwardly vulnerable heroines—yet all work together in easy synchronization.—
Jennifer Prince, Buncombe County Public Libraries, NCThe Clockwork Scarab protagonists Mina Holmes (niece of Sherlock) and Evaline Stoker (Bram's kid sister and novice vampire hunter) investigate whether Willa Ashton--who believes she can communicate with her dead mother--has gone mad, or if someone is trying to drive her there. There's lots of fun to be had from this odd-couple investigative team's snarky banter and the well-imagined setting's steampunk details.
In the second Stoker & Holmes mystery (The Clockwork Scarab, rev. 9/13), the royal family enlists the teenage protagonists to investigate whether a young lady, Willa Ashton -- who believes she can communicate with her dead mother -- has gone mad, or if someone is trying to drive her there. Mina Holmes (daughter of Mycroft, niece of Sherlock, and just as brilliant and insufferable as either) attempts to first debunk Willa's psychic medium…then solve the woman's murder. Novice vampire hunter Evaline Stoker (Bram's kid sister), less of a supernatural skeptic than Mina, receives her own message at a seance, then gets to cut her teeth, as it were, when the UnDead make an unexpected reappearance in London. Just as in the previous book, there's lots of fun to be had from this odd-couple investigative team's snarky banter, the well-imagined setting's steampunk details, and Gleason's flashes of satiric humor (there's a seedy bar called the Pickled Nurse). There's also romantic angst and confusion: analytical Mina is vexed by her feelings for two potential beaux (Scotland Yard's surly but dashing Inspector Grayling and Dylan-from-the-future), and Evaline is titillated and confounded by shady-character Pix (what are his motives with respect to those vampires?). Revelations about their mentor Miss Adler's past, along with the book's final-sentence big reveal, suggest that the game remains afoot. elissa gershowitz
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