FICTION

The Whole Stupid Way We Are

350p. S & S/Atheneum. Feb. 2013. Tr $16.99. ISBN 978-1-4424-3155-3; ebook $9.99. ISBN 978-1-4424-3158-4. LC 2012002595.
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Gr 8–10—Set in Maine, this flawed first novel works well on some levels and not on others. Best friends Dinah and Skint, both 15, live in their own little world. While Dinah's home life is almost idyllic, Skint's is not. His father is suffering from early onset dementia and his mother is not handling the situation very well. While Dinah ineffectually focuses on Skint's problems by trying to keep him entertained with their weird and childish games, Skint escapes his troubles by worrying about an elderly couple and a child whose cruel father will not let him visit his mother. When Dinah decides to do something to help her friend, she causes major changes in both of their lives-and not necessarily good ones. With the requisite small-town quirky characters, this work of realistic fiction doesn't entirely succeed in creating a believable world. The two main characters act more like tweens than teens. The church members, especially the members of Girls' Friendly Society, are caricatures of old ladies. However, the relationship between Dinah and her mother is typical of many mother/daughter dynamics, and Skint's family problems and his way of dealing with them are understandable. The rural setting frames the story well.—Janet Hilbun, Texas Women's University, Denton, TX
Best friends Dinah and Skint have fine-tuned the art of staving off boredom in their small Maine town. This winter, though, Skint is dealing with issues larger than Dinah can comprehend as his father succumbs to early-onset dementia and his home life crumbles. Griffin's debut is atmospheric and brutally sad, expertly using the desolate, frozen landscape to underscore the friends' chilling loss of faith in the world at both the micro (Skint's mother's astonishing failure as a compassionate guardian; Dinah's church group leader's bigotry) and macro (an onslaught of news stories about human rights abuses) levels. Skint's family situation is brought to life with rare clarity and painful particularity, and the more universal scenario of one friend pulled into adulthood while the other clings to childhood will ring true with readers. Griffin's writing is assured and nuanced, and while the plotting unfolds slowly for much of the first half, Griffin draws readers in with a large cast of intriguing and original supporting characters. The fierce protectiveness between the friends is a bright spot in the narrative, but the loss of dependable adult figures, the eventual, devastating falling-out between Dinah and Skint, and the open ending make this a deeply unsettling read. Hand it to those who like their tearjerkers realistic and unrelenting. claire e. gross

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