FICTION

Vampirina Ballerina

August 2012. 40p. 978-1-42315-575-3. 14.99.
COPY ISBN
PreS-Gr 2–On the advice of her mother, a pale little vampire with tiny fangs and a black cape enrolls in an evening class at  Madame Sang’s Dance Studio. Although the rosy-cheeked ballerinas all dressed in pink are a bit startled by their new classmate, Vampirina does her best to fit in.  Under Madame’s watchful eye, the little girls learn to plié, relevé, and arabesque.  Vampirina’s mother tells her to follow Madame’s instructions, to keep moving toward her goal, and to stay in tip-top shape. The aspiring ballerina practices and practices until she is ready for her debut. On the big night, she dons her costume, overcomes stage fright, and takes a well-earned bow after the performance. The sweet and spooky watercolor and pen-and-ink pictures are filled with motion and portray Vampirina’s “road to ballerinadom” with humor and insight. The illustration of the opening-night performance shows the nervous dancers behind the curtain and then opens out into a four-page foldout across which the five graceful girls twirl and jeté. Vampirina is just as endearing in her devotion to ballet as Katharine Holabird’s dancing mouse in the popular "Angelina Ballerina" series (Viking). This story of perseverance and determination will appeal to young dancers, who will identify with Vampirina’s struggles and cheer her on as she ultimately takes her triumphant bow on the flower-strewn stage.—Linda L. Walkins, Mount Saint Joseph Academy, Boston, MA. 
It’s a familiar story: a young girl begins dance lessons, works hard, perseveres through doubts and missteps, and eventually makes a successful debut performance. The twist here? She’s a young vampire, taking evening ballet classes. Aside from a few vampire-student-specific tips (watch the fangs; don’t trip on your cape when curtsying to Madame), Pace’s encouraging text reads like an advice book for any young dancer. Pham’s illustrations steal the show, offering plenty of visual jokes for both vampire fans (Vampirina’s spider-lace costume and lack of reflection in the studio mirror) and balletomanes (she poses for a Degas-style painting and wears a "Dancing Queen" T-shirt). The watercolor and pen-and-ink illustrations make excellent use of black and, of course, soft ballet pink; two foldout pages highlight Vampirina’s recital with her classmates. Sound advice, good technical form, and correct terminology will help ensure that young ballerinas will, as Madame advises, "always move with your head held high." But the message that passion, dedication, and patience have beautiful results is inspirational for any reader. After all, "it doesn’t matter if you take one giant leap or many tiny steps, as long as you are moving toward your goal." katie bircher

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